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Photography: Black & White, Paper, Engraving on Paper.
“Never Smile Again”, Photograph, scraped on the surface , 50x80 cm.

The work was inspired by the political history of Thailand. 
I took this photo in October 2010 at the Royal Thai Embassy in London. At that time, a group of postgraduate Thai art students gathered for taking a group portrait. The objective of the shooting was to have a dialogue with other group portraits in the embassy.  In the place, there were portraits of princes, royals, and descendants of aristocrats who had come to study in the United Kingdom a hundred years ago. While those princes and nobles had come to study military, economics, and politics, we – the persons in the new group portrait, came to study art. 

After developing and printing the photo, I created an effect on the photo’s surface by scraping onto it. I applied an ‘engraving’ technique, normally used in glassmaking, to the surface of the photo. The result is a haunting but playful effect on a photo that has a special place in my memory.

Later, this photo was used as a cover for a famous book on art and history in Thailand.
Photography: Black & White, Paper, Engraving on Paper.
“Never Smile Again”, Photograph, scraped on the surface , 50x80 cm.

The work was inspired by the political history of Thailand. 
I took this photo in October 2010 at the Royal Thai Embassy in London. At that time, a group of postgraduate Thai art students gathered for taking a group portrait. The objective of the shooting was to have a dialogue with other group portraits in the embassy.  In the place, there were portraits of princes, royals, and descendants of aristocrats who had come to study in the United Kingdom a hundred years ago. While those princes and nobles had come to study military, economics, and politics, we – the persons in the new group portrait, came to study art. 

After developing and printing the photo, I created an effect on the photo’s surface by scraping onto it. I applied an ‘engraving’ technique, normally used in glassmaking, to the surface of the photo. The result is a haunting but playful effect on a photo that has a special place in my memory.

Later, this photo was used as a cover for a famous book on art and history in Thailand.
Photography: Black & White, Paper, Engraving on Paper.
“Never Smile Again”, Photograph, scraped on the surface , 50x80 cm.

The work was inspired by the political history of Thailand. 
I took this photo in October 2010 at the Royal Thai Embassy in London. At that time, a group of postgraduate Thai art students gathered for taking a group portrait. The objective of the shooting was to have a dialogue with other group portraits in the embassy.  In the place, there were portraits of princes, royals, and descendants of aristocrats who had come to study in the United Kingdom a hundred years ago. While those princes and nobles had come to study military, economics, and politics, we – the persons in the new group portrait, came to study art. 

After developing and printing the photo, I created an effect on the photo’s surface by scraping onto it. I applied an ‘engraving’ technique, normally used in glassmaking, to the surface of the photo. The result is a haunting but playful effect on a photo that has a special place in my memory.

Later, this photo was used as a cover for a famous book on art and history in Thailand.
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Never smile again - Limited Edition 3 of 7 Photograph

Prapat Jiwarangsan

Thailand

Photography, Black & White on Paper

Size: 31.5 W x 19.7 H x 0 D in

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$3,470

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About The Artwork

Photography: Black & White, Paper, Engraving on Paper. “Never Smile Again”, Photograph, scraped on the surface , 50x80 cm. The work was inspired by the political history of Thailand. I took this photo in October 2010 at the Royal Thai Embassy in London. At that time, a group of postgraduate Thai art students gathered for taking a group portrait. The objective of the shooting was to have a dialogue with other group portraits in the embassy. In the place, there were portraits of princes, royals, and descendants of aristocrats who had come to study in the United Kingdom a hundred years ago. While those princes and nobles had come to study military, economics, and politics, we – the persons in the new group portrait, came to study art. After developing and printing the photo, I created an effect on the photo’s surface by scraping onto it. I applied an ‘engraving’ technique, normally used in glassmaking, to the surface of the photo. The result is a haunting but playful effect on a photo that has a special place in my memory. Later, this photo was used as a cover for a famous book on art and history in Thailand.

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:7

Size:31.5 W x 19.7 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Prapat Jiwarangsan (b.1979,Bangkok) I am a visual artist from Thailand. I have a strong background in interdisciplinary art and research. I was trained in ceramics and glassmaking, but after studying at London's Royal College of Art, I have shifted my artistic practice to focus on fine arts. In my creative explorations, I usually incorporate a variety of media, especially photography and video, in order to investigate and represent the relationships between history, memory, and politics in Thailand—particularly in relation to the theme of migration. In the past four years, I have researched and developed a practice that explores the experience of migrant workers outside of their home countries. I see my work as a platform for artist, viewers and migrant workers to communicate and learn from each other. My installations have appeared in Bangkok, London, Hong Kong, Tokyo and Gwangju while my videos have screened at international film events such as Canada’s Images Festival, International Film Festival Rotterdam, Experimenta India, and Onion City Experimental Film and Video Festival. Between 2012 and 2015, I worked as a full time lecturer at the Faculty of Fine Arts, Chiang Mai University. Currently, I am an independent artist, and I am based in Bangkok.
 http://www.prapat-jiwarangsan.com

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