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Over - Limited Edition of 10 Photograph

Rebecca Skinner

United States

Photography, Black & White on Aluminium

Size: 24 W x 16 H x 0.5 D in

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$795

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About The Artwork

Rebecca Skinner’s “Over” was photographed in an abandoned mansion in the Catskill Mountains of New York. The black and white photo with satin finish is infused directly into metal making it waterproof and easy to clean. This 16 x 24 inch frameless metal print hangs easily with a float mount and the artist’s signature is located on the back. With breathtaking depth and amazing detail “Over” makes an excellent addition to your home or office. Edition of 10. Abandoned buildings serve as the focus of Boston-based Rebecca Skinner’s most recent series of photographs. She seeks to immerse the viewer in the scene, intertwining them and the location in a single narrative of nostalgia and respect for the suspended moment. She portrays these facilities not only as preserved instances of a forgotten time, but as the summation of the place’s history and beauty. Skinner studied at the Rhode Island School of Design, RI. Artscope, BostonVoyager and Upworthy are just a few publications that have featured her widely shown work.

Details & Dimensions

Photography:Black & White on Aluminium

Artist Produced Limited Edition of:10

Size:24 W x 16 H x 0.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Rebecca Skinner photographs abandoned spaces throughout the United States. She is a modern-day urban explorer seeking unique neglected structures and desolate places. Her subject matter includes images of large open spaces and details such as peeling paint and rust. Texture, color and light play an important part in her image making and she is attracted to the beauty of these places as well as the forgotten history. Time is of the essence as some locations have since been demolished or restored, while others remain frozen in time. Danger is often present, whether it be from rotten floors, hazardous materials, or unexpected inhabitants. She never goes into these places alone and is strongly invested in leaving no trace. Working with tripod and natural light, Skinner does not stage her photographs — there is already a story to be told without making any adjustments.

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