VIEW IN MY ROOM
Canada
Photography, Color on Paper
Size: 14 W x 21 H x 0.1 D in
Ships in a Tube
Shipping included
Artist Recognition
Artist featured in a collection
In the midst of a pandemic we had conspired for weeks to meet up with our out of the city children and their young son for a socially distanced, safe vacation. In the end, we managed a hug, a simple event whose emotional impact has taken on new meaning for all of us. Nearby was a remarkable beach, in an Ontario park called Sandbanks. It is a magical place, of a scale that could be oceanic, even though it fronts on fresh water, Lake Ontario. The weather was threatening, and there was almost on one there. This image presented. To me it speaks of power, of our humility, of transformation and hope. We all sat there transfixed as the clouds roiled, the waves beat and the bright hint of clearing emerged. The image can stand large scale, but to make it accessible, the nominal offering is of a more affordable size. It is digitally printed on a baryta archival paper.
Photography:Color on Paper
Artist Produced Limited Edition of:20
Size:14 W x 21 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
In February 2022 FRAMES, a European fine art photography journal, honoured me with a lengthy profile. You can access it with this link: https://readframes.com/frames-podcast-with-harvey-schipper/ I am often asked, "What is my style?" Many comment that my work is very painterly; soft colours, abstract gestures, perhaps more mood and tone than documentation. Others posit that I'm a soft documentarian, often with a wry or subtle ironic sense. I'm neither, and as I explain below, my style is one of 'resonance'. My artistic goal in presenting an image is to take you into the moment and have you linger, even come back to consider the story further. As with a materials artist who matches material to context, my goal is to match a style with the story. It is artistic eclecticism. My intent is that the image so resonate with the moment that every aspect takes you, the viewer there. Its not the big bang of first sight, though that certainly helps. Rather I hope you will be intrigued by the emerging story, and the small details that keep bringing you back. What follows is how I got there. ............................................................................. I still have memories of the ominous knock on the darkroom door of Oakwood Collegiate in Toronto at about 2:00 a.m. when the imposing school principal, William Tovell, found me there after my parents phoned the school in a panic because their son had not come home. It was the early 1960’s and I was hooked on photography. My photographic exploits became much less intensive during the university years studying engineering and medicine. I had a camera and a few lenses and would occasionally take them on trips. I didn't do any darkroom work until many years later. Nonetheless, along the way I would go to photography exhibits, read about photography and occasionally have the pleasure of conversation with camera artists such as Yusuf Karsh. I set up a home darkroom, and began to work in color and develop some expertise in the use of Cibachrome. I began to carry my camera again. My work as a cancer researcher took me around the world, and my camera was the way I told my story. Could I become so in tune with what I experienced that, in a single image, I might convey more than the ‘facts’,-the spirit, the emotion and the context of what I saw? I began to develop a style I’ve come to call ‘resonance’. From there a show and some sales followed.
Artist featured by Saatchi Art in a collection
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