VIEW IN MY ROOM
United States
Photography, Photogram on Paper
Size: 12 W x 16 H x 0.1 D in
Ships in a Box
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Showed at the The Other Art Fair
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I have titled this “The Butterfly Effect”, as I was in awe of the effect that one very conscientious teenager could have on millions of people in every continent. Greta Thunberg is too young to have to shoulder the responsibility of making the adult leaders in our world do the right thing. But just as in the theory in physics, a small action on one side of the world did really did have an enormous effect all around the globe. She is the conscience our our generation. She mobilized hundreds of thousands of young people to remind leaders to do their job of protecting our world and thereby protecting us and our children’s. All the artists portion of proceeds from the sale of this original print be donated to the Sierra Club to continue its legal battles to prevent drilling for petroleum in Alaska and the Arctic, as well as its fight to stop the cutting of old growth forests in North America. Trees are nature’s “magic machines” for pulling carbon out of the atmosphere. Curious how I make my artwork? Follow me on Instagram to see demonstration videos and photos of works in progress. Be the first to see new work. https://www.instagram.com/christinesogallery/
Original Created:2019
Subjects:Political
Materials:Paper
Styles:ConceptualPop ArtSurrealism
Mediums:Photogram
Photography:Photogram on Paper
Artist Produced Limited Edition of:3
Size:12 W x 16 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
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Artist featured by Saatchi Art in a collection
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