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Doowopthatthing 01 - Limited Edition of 5 Print

Marit Otto

Netherlands

Printmaking, Screenprinting on Canvas

Size: 47.2 W x 31.5 H x 0.8 D in

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$1,500

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About The Artwork

Doowopthatthing to you, my latest art print, no06 from the Helden/Heroes B-side series. This is my second portrait of Lauryn Hill. Rebel was the first one from the A-sides series. Doowopthatthing is printed on canvas 120/80cm limited and signed 1/5. Artist Lauryn Hill is like a rough and polished diamond with many facets. My premiere encounter with her music was with her first solo album The Miseducation Of Lauryn Hill. The song Doo Wop That Thing echoed trough my (borrowed) earphones while sitting on a bench in the sun in The Cloisters (park) New York with my co traveller Anne Marieke (1999). This song resonated for us the New York vibe we were experiencing at the time. But this specific album is still one of my favourites. It is upbeat, cheeky, bold and out there. Love it. She did not produce a lot of records and for a while her life and career went downhill or rephrased Hill went down. Some time passed by and the Unplugged album caught my ear. This album was undeniable still very much Lauryn Hill but drenched with the life she had lived and emotions she had gone through. The album starts with a conversation (intro) with her audience, which she keeps on doing throughout the whole unplugged session. I picked a few significant lines to illustrate her metamorphoses: “And you know, it's real interesting because I used to be a performer, and I really don't consider myself a performer so much anymore. I'm really just... I'm sharing, you know, more or less the music that I've been given. But if I stop, if I start, if I... you know... feel like saying, "Baby, baby, baby" for eighteen bars -- whatever, you know? I just... I do that” She also refers to her voice later on, that has become raspy over time, but that's ok she said because she now was a singer with a lot of stuff on her throat. I mean..... If an artist is capable of such introspection and personal and artistic output, it adds so much value to everything he or she does and her legacy. In this perspective Miseducation was her coming out as a solo artist after her career in the equally successful hip-hop formation Fugees. And it is without a doubt a great performance but the unplugged sessions proved her to be an artist with great depts. Doo Wop That Thing seemed naïve, almost innocent in comparison with for instance the song Rebel from the unplugged sessions but in their unique ways they were both extremely powerful. And somehow it both suited my own coming of age. Lauryn Hill, a singer with a lot of stuff on her throat. I hope to have captured it sufficient with this visual tribute to her.

Details & Dimensions

Printmaking:Screenprinting on Canvas

Artist Produced Limited Edition of:5

Size:47.2 W x 31.5 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I can experience art on many levels and in many different ways. Then I look for aesthetics and eloquence but also for a particular angle. I make contemporary engaged art. It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.” I am born in Hoorn (NH) (1970) and have been working as a visual artist since 1994. My studio is located at the Rieteweg 10 in Zwolle. I am a multidisciplinary artist. My autonomous work includes painting, collage, installation, digital art, photo manipulation, video art and 3d. I also work on commission and on a project basis. Typical for my autonomous work is the key role for man in its shape and behaviour. It is often a reflection of current social themes, but also mundane and personal issues are important sources of inspiration. Through small interventions, repetitions, inversions, or breaking surfaces with architectural forms, a new image is created in a somewhat familiar image. Although my work can be seen as aesthetic, it often conceals certain uneasiness, abrasive aesthetics. This duality or ambiguity is also a recurring theme. Do you see what you see? The resulting images are often on the cutting edge of fiction, realism, graphic and plastic. Contemporary (sur)realist?- My work cannot be placed in a tradition or movement. There are certainly surrealistic elements in my work and occasionally some abstraction, but in terms of style I draw from (contemporary) realism. Until now, I have been able to express myself best in the figurative, although I do not rule out anything for the future. As far as I am concerned, art is fluid and and artist never stop evolving. I do not wish to limit myself, neither to a medium, nor to autonomous art. I see myself much more as a conduit of concepts and ideas. Often my ideas are interspersed with philosophical questions and/or social themes that occupy me. I therefore sometimes set myself the task of casting these in project form, if only within the limitations of visual art. This has resulted in a number of projects varying from social to future-oriented.

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