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Earth, Air, Water, Fire and Cosmogonia - Limited Edition of 30 Print

Caner Karavit

Turkey

Printmaking, Screenprinting on Paper

Size: 27.6 W x 39.4 H x 0.1 D in

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$430

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About The Artwork

Two important concepts that have occupied people's heads since ancient times; is how the universe and the environment in which they live are formed. The theory of creation of the universe, which exists in almost all cultures and is very diverse, is tried to be explained by assumptions or theories that try to explain the formation of the universe. Tell me how Heisodos was born, the earth before the gods, the rivers, the vast sea with its bulging waves, the sparkling stars and the eternal skies above us? Then how did they come from them? As in the words "Beginning from the beginning and tell, tell what happened first", the universe appears as a phenomenon that is questioned and asked for answers throughout the history of humanity. The second concept is what and how the environment in which people live is formed. In ancient times, it connected the existence of nature around human beings to the four elements they connected with holiness, namely earth, air, fire and air. This study describes the questioning of two concepts about existence.

Details & Dimensions

Printmaking:Screenprinting on Paper

Artist Produced Limited Edition of:30

Size:27.6 W x 39.4 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hello all! My name is Caner Karavit. I was born in Edirne and raised in Ankara. Currently, I live in Istanbul. Journey of my artistic outlook could be periodized in two stages. First, the contemporary art-related performances, paintings and printmakings that I executed with domestic and foreign art groups. This period corresponds to my higher art education at Istanbul Fine Arts Academy. In both group performances and individual works, the influence of the Western contemporary art, that I was provided during my art education, was intense. The themes of my Western-style contemporary art works were contributed by the layers of the cultural geography in which I was raised. Second stage is deeply affected by the Chinese art, on which I had education from 2007 on in China. During the first years of my presence in China, in Tsinghua University that I worked with a scholarship, I studied woodcut which is one of the oldest arts in China. In following years, I did research on Chinese Buddhist art and took lectures from Liu Hanshi who is a renowned Chinese painting master. These works and studies of mine rendered me with a comparison between the Western and Eastern art, and a synthesis of them both. Studying both of the artistic waves, not only I observed the differences in use of materials but also the differences in mindsets, with their artistic elements and installations. Accordingly, my studies in China changed my perspective towards the composition. The Chinese philosophy of time and space that influenced Chinese art, in turn predominantly influenced the abovementioned change in my understanding of composition. In this context, focusing on element of line, I reflect the places inversed to convert Chinese concept of time into space.

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