VIEW IN MY ROOM
United Kingdom
Printmaking, Screenprinting on Paper
Size: 19.7 W x 27.6 H x 0.4 D in
Ships in a Tube
Shipping included
This is one a of a mini series of human/endangered animal portraits. It is a 3 colour hand pulled screen print. I’ve been looking a lot at the plight of endangered species and their ingenious adaptations, or not, to threat. The Arapawa Goat is thought to have been left by Captain Cook on Arapawa Island, New Zealand as a source of food for returning voyages. The goat have been culled as a danger to Native flora and fauna. Now there are very few left indeed. I am interested in the vulnerability of existence. In the Natural Selection screen prints, I’m also playing with the idea that “there but for the grace of God go I” in the sense that I happen to be a human and therefore nearly top of the heap – but I could have been an Arctic Fox, Galápagos Penguin, Arapawa Goat or a Rhino.
Printmaking:Screenprinting on Paper
Artist Produced Limited Edition of:11
Size:19.7 W x 27.6 H x 0.4 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I make bold, quirky and apparently playful works often carry a brooding gritty undertone. By employing an agglomeration of printmaking, painting, collage, stitching onto a variety of surfaces my work is a lively regurgitation of current obsessions. My most recent output follows on from works concerning the vulnerability of existence in the natural world to the “Museumification” of artefacts, relics and taxidermy where the loss of original context renders the pieces nebulous and solitary. I am heavily influenced by iconography and the primitive depiction of the cave paintings of Lascaux and Australia For me making work is all about fear. It’s fear that draws me back to printing as a way of making marks and never more so than when I’m making mono prints. The sensation as I draw back the paper/cloth or whatever is thrilling and in that moment it is almost as if the work is made by someone else and I can see it clearly and where I am to go with it. It has pervaded all my work this “transference” from one surface to another.
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