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Brazil
Printmaking, Engraving on Paper
Size: 5.9 W x 17.3 H x 1.2 D in
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Fictitious nautical charts from unknown and unamed places, indicated routes that have no latitude, meridian, degree, origin, or destination. Trying to find in these portulans a path that will lead us, embarked in this ship without a sail that drifted and spontaneously broke the bonds, free from the nostalgia for a safe harbor and the desire for a right direction, is a huge task, especially when we don't even know for sure what is the sea we are shipwrecked. Using a slate board (used as a floor covering) as a matrix for relief printing, the origin of the stone, its previous use and the results obtained during the process led to this question of a way forward, this constant need to situate us somewhere, sometime in space. The print is mounted with a 5cm passepartout, antireflex glass and framed with black wood, ready to hang. Signed in the back.
Printmaking:Engraving on Paper
Original:One-of-a-kind Artwork
Size:5.9 W x 17.3 H x 1.2 D in
Frame:Black
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Brazil.
Customs:Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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Brazil
Boczon's work is directed towards a game of contrasts and physicality between overlap and transparency, seeking to hide and reveal in equal measures. This stratification process aims to show the corporeality of the two-dimensional work, highlighting each error and new direction taken, in order to remind us of the painting process. What drives his research is the curiosity to find the beauty hidden in everyday life, in the supports and pictorial material, and bring it to the surface, so that the viewer questions and appreciates aspects for which he, normally, would not give importance. His research and production are strongly influenced by Tachismo and Arte Povera, by the reuse and recycling of materials, ideas and concepts. Often, when using his own older works, reconstructing and making new collages from them, he is recycling both the physical item and the concepts behind these works. Began his artistic research in the Atelier of Painting of the Museum Alfredo Andersen, under the direction of Ronald Yves Simon, also attended workshops in painting, printmaking and photography . Participates, since 1999, of Salons of Art and Exhibitions Collectives and Individuals, being awarded five times.
Artist featured by Saatchi Art in a collection
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