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Seemingly cut-away, Bipod No.7's concave system can be seen as subtractive from the two solid ovaloids usually comprising the sculptures in this series. The painted and stuccoed areas, although providing contrast with the darker waxed red cedar, serve to compliment and interact with the overall form rather than overpower. The "spilling" cream coloured sections contribute to the theme of inner-outer duality and inherent relationship thereof. It is signed with the year on the bottom with a pyrograph tool.
Seemingly cut-away, Bipod No.7's concave system can be seen as subtractive from the two solid ovaloids usually comprising the sculptures in this series. The painted and stuccoed areas, although providing contrast with the darker waxed red cedar, serve to compliment and interact with the overall form rather than overpower. The "spilling" cream coloured sections contribute to the theme of inner-outer duality and inherent relationship thereof. It is signed with the year on the bottom with a pyrograph tool.
Seemingly cut-away, Bipod No.7's concave system can be seen as subtractive from the two solid ovaloids usually comprising the sculptures in this series. The painted and stuccoed areas, although providing contrast with the darker waxed red cedar, serve to compliment and interact with the overall form rather than overpower. The "spilling" cream coloured sections contribute to the theme of inner-outer duality and inherent relationship thereof. It is signed with the year on the bottom with a pyrograph tool.
Seemingly cut-away, Bipod No.7's concave system can be seen as subtractive from the two solid ovaloids usually comprising the sculptures in this series. The painted and stuccoed areas, although providing contrast with the darker waxed red cedar, serve to compliment and interact with the overall form rather than overpower. The "spilling" cream coloured sections contribute to the theme of inner-outer duality and inherent relationship thereof. It is signed with the year on the bottom with a pyrograph tool.
Seemingly cut-away, Bipod No.7's concave system can be seen as subtractive from the two solid ovaloids usually comprising the sculptures in this series. The painted and stuccoed areas, although providing contrast with the darker waxed red cedar, serve to compliment and interact with the overall form rather than overpower. The "spilling" cream coloured sections contribute to the theme of inner-outer duality and inherent relationship thereof. It is signed with the year on the bottom with a pyrograph tool.
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Abstract Sculpture in Wood - Bipod No.7 - 2020 - Western Red Cedar, Acrylic, Stucco, Wax - Modern, Organic, Original, Concave, Painted Sculpture

Mike Sasaki

Canada

Sculpture, Acrylic on Wood

Size: 4.5 W x 3.3 H x 2.8 D in

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Originally listed for $395
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About The Artwork

Seemingly cut-away, Bipod No.7's concave system can be seen as subtractive from the two solid ovaloids usually comprising the sculptures in this series. The painted and stuccoed areas, although providing contrast with the darker waxed red cedar, serve to compliment and interact with the overall form rather than overpower. The "spilling" cream coloured sections contribute to the theme of inner-outer duality and inherent relationship thereof. It is signed with the year on the bottom with a pyrograph tool.

Details & Dimensions

Sculpture:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:4.5 W x 3.3 H x 2.8 D in

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Mike Sasaki was born in Toronto, Canada. He graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. He lived in Tokyo, Japan for 5 years where he was immersed in traditional and modern Japanese culture. The martial arts philosophies have played an important role in his artistic development. In his search for a hands on approach he has found sculpting in wood a wonderful solution. He is currently living in Metro Vancouver and focusing on the metamorphic line of abstract wood forms.

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