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What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part. A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part. A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part. A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part. A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part. A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.
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Abstract Wood Sculpture - Form and Formless No.3 - Yellow Cedar - Freestanding, Modern, Contemporary, Original, Dynamic, Fluid, Smooth Sculpture

Mike Sasaki

Canada

Sculpture, Wood on Wood

Size: 6.5 W x 4 H x 4 D in

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Originally listed for $1,205
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About The Artwork

What is emptiness without a container? The term "empty" implies some object being void of content. Within this dualistic framework, I remove material revealing metaphor in physical form. The metaphor reflects the field behind our cognitive experiences—the field of totality within which we are an inseparable part. A predominantly concave system seems to converge and subtley interact with a solid form. In this interaction they become one, more complex system. The result is a dynamic freestanding sculpture in wood that seems to dance continuously in stillness.

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:6.5 W x 4 H x 4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mike Sasaki was born in Toronto, Canada. He graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. He lived in Tokyo, Japan for 5 years where he was immersed in traditional and modern Japanese culture. The martial arts philosophies have played an important role in his artistic development. In his search for a hands on approach he has found sculpting in wood a wonderful solution. He is currently living in Metro Vancouver and focusing on the metamorphic line of abstract wood forms.

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