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I seek to discover dynamic and harmonious forms which will continue to inspire. This piece, titled "Ungraspable Truth No.2", takes inspiration from that truth that lies beyond the capacity of thought; therefore, ungraspable. It is suggested however that this truth is accessible existentially. The sculpture stands on 3 points of contact. Asymmetricality is explored deeply. The lightness of the jelutong wood coupled with the smooth fluidity and secondary detailing instills the piece with a sense of purity and cleanliness. The subtle grain patterning of the natural material displays itself gracefully along the curving surface. The initial wood block consisted of 3 pieces, flattened and laminated together in allignment. Here's a poem I wrote at the time of discovery: From behind the thick glass window The muted outdoor scene carried on Like it had not a beginning And will have not an end. Is ths the middle then? Precisely the middle— The middle of eternity... Always ~Mike Sasaki 2020
I seek to discover dynamic and harmonious forms which will continue to inspire. This piece, titled "Ungraspable Truth No.2", takes inspiration from that truth that lies beyond the capacity of thought; therefore, ungraspable. It is suggested however that this truth is accessible existentially. The sculpture stands on 3 points of contact. Asymmetricality is explored deeply. The lightness of the jelutong wood coupled with the smooth fluidity and secondary detailing instills the piece with a sense of purity and cleanliness. The subtle grain patterning of the natural material displays itself gracefully along the curving surface. The initial wood block consisted of 3 pieces, flattened and laminated together in allignment. Here's a poem I wrote at the time of discovery: From behind the thick glass window The muted outdoor scene carried on Like it had not a beginning And will have not an end. Is ths the middle then? Precisely the middle— The middle of eternity... Always ~Mike Sasaki 2020
I seek to discover dynamic and harmonious forms which will continue to inspire. This piece, titled "Ungraspable Truth No.2", takes inspiration from that truth that lies beyond the capacity of thought; therefore, ungraspable. It is suggested however that this truth is accessible existentially. The sculpture stands on 3 points of contact. Asymmetricality is explored deeply. The lightness of the jelutong wood coupled with the smooth fluidity and secondary detailing instills the piece with a sense of purity and cleanliness. The subtle grain patterning of the natural material displays itself gracefully along the curving surface. The initial wood block consisted of 3 pieces, flattened and laminated together in allignment. Here's a poem I wrote at the time of discovery: From behind the thick glass window The muted outdoor scene carried on Like it had not a beginning And will have not an end. Is ths the middle then? Precisely the middle— The middle of eternity... Always ~Mike Sasaki 2020
I seek to discover dynamic and harmonious forms which will continue to inspire. This piece, titled "Ungraspable Truth No.2", takes inspiration from that truth that lies beyond the capacity of thought; therefore, ungraspable. It is suggested however that this truth is accessible existentially. The sculpture stands on 3 points of contact. Asymmetricality is explored deeply. The lightness of the jelutong wood coupled with the smooth fluidity and secondary detailing instills the piece with a sense of purity and cleanliness. The subtle grain patterning of the natural material displays itself gracefully along the curving surface. The initial wood block consisted of 3 pieces, flattened and laminated together in allignment. Here's a poem I wrote at the time of discovery: From behind the thick glass window The muted outdoor scene carried on Like it had not a beginning And will have not an end. Is ths the middle then? Precisely the middle— The middle of eternity... Always ~Mike Sasaki 2020
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Abstract Wood Sculpture - Ungraspable Truth - 2020 - Jelutong Sculpture

Mike Sasaki

Canada

Sculpture, wood on Wood

Size: 7.5 W x 6.5 H x 6.8 D in

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About The Artwork

I seek to discover dynamic and harmonious forms which will continue to inspire. This piece, titled "Ungraspable Truth No.2", takes inspiration from that truth that lies beyond the capacity of thought; therefore, ungraspable. It is suggested however that this truth is accessible existentially. The sculpture stands on 3 points of contact. Asymmetricality is explored deeply. The lightness of the jelutong wood coupled with the smooth fluidity and secondary detailing instills the piece with a sense of purity and cleanliness. The subtle grain patterning of the natural material displays itself gracefully along the curving surface. The initial wood block consisted of 3 pieces, flattened and laminated together in allignment. Here's a poem I wrote at the time of discovery: From behind the thick glass window The muted outdoor scene carried on Like it had not a beginning And will have not an end. Is ths the middle then? Precisely the middle— The middle of eternity... Always ~Mike Sasaki 2020

Details & Dimensions

Sculpture:wood on Wood

Original:One-of-a-kind Artwork

Size:7.5 W x 6.5 H x 6.8 D in

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Mike Sasaki was born in Toronto, Canada. He graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. He lived in Tokyo, Japan for 5 years where he was immersed in traditional and modern Japanese culture. The martial arts philosophies have played an important role in his artistic development. In his search for a hands on approach he has found sculpting in wood a wonderful solution. He is currently living in Metro Vancouver and focusing on the metamorphic line of abstract wood forms.

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