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Herakles ΑΘΑΝΑΤΑΙ
Herakles ΑΘΑΝΑΤΑΙ
Herakles ΑΘΑΝΑΤΑΙ
Herakles ΑΘΑΝΑΤΑΙ
Herakles ΑΘΑΝΑΤΑΙ in situ
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Herakles ΑΘΑΝΑΤΑΙ Sculpture

Charlayn von Solms

South Africa

Sculpture, Found Objects on Plastic

Size: 17 W x 21 H x 10 D in

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$2,250USD

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129 Views
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About The Artwork

Objects used: fishing buoy, cast iron three-legged pot, Jaffle toaster mould plate, outside spring callipers, rotary saw blade, cork pull, pickle fork, lemon juicer, wood, enamel paint. Herakles ΑΘΑΝΑΤΑΙ is a depiction of the most infamous of ancient Greek heroes as a notoriously deadly dinner host and guest. Hence the use of a double lever corkscrew, fork, lemon squeezer and cooking pot. Herales' status as a both human and divine is suggested by the separation of the sphere into two halves by means of a rotary saw blade. The blade also refers to the mane of the Nemean lion used by Herakles as a cloak. ΑΘΑΝΑΤΑΙ serves here as an epithet of Herakles and refers to immortality. This work forms part of a series of nine sculptures entitled "Powell's Patterns 2, 11, 20, 25", which is a sculptural exploration of four contingents from the list of combatants in Homer’s Iliad. Superficially, the only link between these four catalogue entries are structural similarities first identified by the scholar Barry Powell. The sculptural series explores thematic links between these entries. For a view in the round see the video on my Instagram page: https://www.instagram.com/reel/C2jjdoBqJl_/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Details & Dimensions

Sculpture:Found Objects on Plastic

Original:One-of-a-kind Artwork

Size:17 W x 21 H x 10 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The only artist on the planet who explores the compositional methods of ancient Greek poets through the medium of contemporary sculptural assemblage. Unique, obscure, and totally off-trend. In literary translation the content of oral-formulaic poetry is often more effectively conveyed than its form. The sculptural assemblages on this page serve as a visualization or ‘aesthetic translation’ of the formal artistry of two ancient Greek epics – Iliad and the Odyssey. The result is a visual exploration of correlations between what the poems say and how they say it. Each individual sculpture functions as a personification of a character from the Homeric epics. Each set of sculptures represents a ‘composite object portrait’ that depicts Homer not as a person, but as a continually adaptive constructive system.

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