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A detail of the assemblage elements and textures.
A detail of the textures and assemblage elements.
A detail of the letters and weathered surface.
A detail of the assemblage elements and textures.
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Markings: Stay Back 200 Feet Sculpture

Domenick Naccarato

United States

Sculpture, Paint on Wood

Size: 49.5 W x 61.5 H x 2.5 D in

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$3,350

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877 Views
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About The Artwork

I do a lot of driving and when I find myself behind a truck, I notice all of the various markings and signage, and surface textures that are part of it. These surfaces are typically weathered and damaged to some degree, showing signs of their age and abuse. Steel is scratched up, repainted, and scratched up some more. Warning marks, like the yellow striping are sometimes seen. Serial numbers identify the vehicle and sometimes messages are posted for other drivers. All of these little vignettes catch my eye and inspire me in the work I produce... Probably more so in this piece than any other in my recent work. Like much of my art, this piece bridges the gap between wall sculpture and painting. I assemble 3-dimensional elements, in this case wood and u-brackets, to form the cross members you see there.

Details & Dimensions

Sculpture:Paint on Wood

Original:One-of-a-kind Artwork

Size:49.5 W x 61.5 H x 2.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Naccarato’s contemporary, industrial style is achieved with compositions that are the result of his unique approach to combining paint, text, found objects, and a variety of other textures and non-traditional mediums. He uses a variety of techniques and processes to create the work and build up textures that include everything from sanding layers of joint compound to coating surfaces with roofing tar. His processes are purposeful, taking brand new hardware in some cases, and adding a patina of rust on the metal to make it appear as if it had aged over years. Not one to be content with just painting, he’ll often add graphic elements of fragmented words and numerical references, or other assemblage and collage elements to his pieces. These items can take the form of reclaimed pallet wood, wire mesh, or perhaps brown packing tape. And his love of hardware is evident too. With the addition of large bolts, rusty nails, or brackets, his pieces quickly become three-dimensional in nature.

Artist Recognition

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