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Muse ΜΕΛΕΤΗΝ
Muse ΜΕΛΕΤΗΝ
Muse ΜΕΛΕΤΗΝ
Muse ΜΕΛΕΤΗΝ
Muse ΜΕΛΕΤΗΝ in situ
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Muse ΜΕΛΕΤΗΝ Sculpture

Charlayn von Solms

South Africa

Sculpture, Found Objects on Plastic

Size: 9.8 W x 19.3 H x 8.3 D in

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106 Views
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About The Artwork

Objects used: aluminium candleholder, stove plate spiral, Eclipse piercing saw frame, Stanley Surform half-round plane, pulley, bead, rotary drill gear wheel, sugar bowl lid, guitar tuning pegs, thimble, nut, trophy cup feet, brass lamp-holder component, copper wire, wood, enamel paint. This assemblage is based on one of the Muses that punished the singer Thamyris by depriving him of his voice, his memory, and his skill in playing his instrument. Muse ΜΕΛΕΤΗΝ represents practice/technique. The sculpture includes references to bees and hives through the thimble mounted on a hexagon and the banded cone with its sting-like finial. The stove plate spiral refers to cooking as a skilled activity and the so-called ‘dance’ of bees. The rasp, gear, and pulley refer to manufacturing as premised on technical skills and knowledge. ΜΕΛΕΤΗΝ serves here as an epithet of this Muse and means to pay attention to something, to practice, rehearse, or to pursue something, but also anxiety This work forms part of a series of nine sculptures entitled "Powell's Patterns 2, 11, 20, 25", which is a sculptural exploration of four contingents from the list of combatants in Homer’s Iliad. Superficially, the only link between these four catalogue entries are structural similarities first identified by the scholar Barry Powell. The sculptural series explores thematic links between these entries. For a view in the round see the video on my Instagram page: https://www.instagram.com/reel/C2iH5fRKkki/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Details & Dimensions

Sculpture:Found Objects on Plastic

Original:One-of-a-kind Artwork

Size:9.8 W x 19.3 H x 8.3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The only artist on the planet who explores the compositional methods of ancient Greek poets through the medium of contemporary sculptural assemblage. Unique, obscure, and totally off-trend. In literary translation the content of oral-formulaic poetry is often more effectively conveyed than its form. The sculptural assemblages on this page serve as a visualization or ‘aesthetic translation’ of the formal artistry of two ancient Greek epics – Iliad and the Odyssey. The result is a visual exploration of correlations between what the poems say and how they say it. Each individual sculpture functions as a personification of a character from the Homeric epics. Each set of sculptures represents a ‘composite object portrait’ that depicts Homer not as a person, but as a continually adaptive constructive system.

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