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Poppy Sculpture
Vietnam
Sculpture, Ceramic on Ceramic
Size: 11.8 W x 17.7 H x 11.8 D in
Ships in a Box
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Artist featured in a collection
About The Artwork
Poppy flower isn’t popular in Vietnam. During elementary school, I first saw these flowers in Da Lat, a city located 1500 meters above sea level on the Langbian Plateau of the Central Highland region in Vietnam. They were grown in the garden of a temperate plant study center, only a small area. However, the slender stems of this herbaceous plant with the red and purple flowers on top swaying lightly in the wind were a beautiful image that impressed deeply in my mind. Later, when in art college, I learnt that poppy is a popular theme for many Western artists such as Claude Monet, Vincent Van Gogh, or Granville Redmond, etc.; similar to Oriental artists with the lotus theme. Living in Japan, I occasionally saw these poppy flowers along the waysides. The current scene was somehow different from the poppy’s first image in my memory. And this ceramic work was created from the illusion of the two.
Details & Dimensions
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:11.8 W x 17.7 H x 11.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Vietnam.
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A Vietnamese independent visual artist based in Ho Chi Minh City, Vietnam. My career started off as a commercial designer after I accomplished a major in Industrial Arts/Ceramic Art in Vietnam in 2005. After a period of postgraduate study in Japan (2011-2017), I returned to Vietnam and established my atelier. My practice is evolving towards the physical characteristics of visual and tactile sensation through the properties of materials. My works are expanded from ceramics to mixed-media surfaces. With an expectation of being able to extensively propose an art appreciation to even the visually impaired people, I considers the integration of tactile interpretation onto my visual artworks as an ‘inclusiveness’; and it is channeling my study into an investigation of the relationship between the ‘inclusive’ and the ‘exclusive’ aspect within a context of contemporary society.
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