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Sculpting the figure J. Bosch painted between 1500 -1510 has been one of my highest achievements for its technical complexity and, more importantly, its spiritual value. 
The figure shows very detailed signs of external poverty but a slight turn in his body indicates to me he acquired a special kind of wealth: capacity for change. 
This is what made me pick up the challenge of bringing this two dimensional work to the third dimension, in the XXI Century. Looking at him is looking at hope and trust!
The exquisite execution reveals quality of attention and countless hours for a very exclusive result.
Cast in The Netherlands, 'Cire Perdue' in traditional plaster mould, I chisel and patinate the sculpture myself in my Atelier in Haarlem.
The patina, a transparent Florentine brown, was applied cold, 'au tampon'.
The piece, signed and numbered, is accompanied by a hand written Authenticity Certificate.
There is will never be more than 6 Editions!
Sculpting the figure J. Bosch painted between 1500 -1510 has been one of my highest achievements for its technical complexity and, more importantly, its spiritual value. 
The figure shows very detailed signs of external poverty but a slight turn in his body indicates to me he acquired a special kind of wealth: capacity for change. 
This is what made me pick up the challenge of bringing this two dimensional work to the third dimension, in the XXI Century. Looking at him is looking at hope and trust!
The exquisite execution reveals quality of attention and countless hours for a very exclusive result.
Cast in The Netherlands, 'Cire Perdue' in traditional plaster mould, I chisel and patinate the sculpture myself in my Atelier in Haarlem.
The patina, a transparent Florentine brown, was applied cold, 'au tampon'.
The piece, signed and numbered, is accompanied by a hand written Authenticity Certificate.
There is will never be more than 6 Editions!
Sculpting the figure J. Bosch painted between 1500 -1510 has been one of my highest achievements for its technical complexity and, more importantly, its spiritual value. 
The figure shows very detailed signs of external poverty but a slight turn in his body indicates to me he acquired a special kind of wealth: capacity for change. 
This is what made me pick up the challenge of bringing this two dimensional work to the third dimension, in the XXI Century. Looking at him is looking at hope and trust!
The exquisite execution reveals quality of attention and countless hours for a very exclusive result.
Cast in The Netherlands, 'Cire Perdue' in traditional plaster mould, I chisel and patinate the sculpture myself in my Atelier in Haarlem.
The patina, a transparent Florentine brown, was applied cold, 'au tampon'.
The piece, signed and numbered, is accompanied by a hand written Authenticity Certificate.
There is will never be more than 6 Editions!
Prodigal Son or Wayfarer, tribute to J. Bosch
Prodigal Son or Wayfarer, tribute to J. Bosch
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Prodigal Son, Tribute to Hieronymus Bosch Sculpture

Graziella Curreli

Netherlands

Sculpture, Bronze on Bronze

Size: 7.5 W x 12.5 H x 10 D in

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$23,900

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About The Artwork

Sculpting the figure J. Bosch painted between 1500 -1510 has been one of my highest achievements for its technical complexity and, more importantly, its spiritual value. The figure shows very detailed signs of external poverty but a slight turn in his body indicates to me he acquired a special kind of wealth: capacity for change. This is what made me pick up the challenge of bringing this two dimensional work to the third dimension, in the XXI Century. Looking at him is looking at hope and trust! The exquisite execution reveals quality of attention and countless hours for a very exclusive result. Cast in The Netherlands, 'Cire Perdue' in traditional plaster mould, I chisel and patinate the sculpture myself in my Atelier in Haarlem. The patina, a transparent Florentine brown, was applied cold, 'au tampon'. The piece, signed and numbered, is accompanied by a hand written Authenticity Certificate. There is will never be more than 6 Editions!

Details & Dimensions

Sculpture:Bronze on Bronze

Original:One-of-a-kind Artwork

Size:7.5 W x 12.5 H x 10 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Île de France in Dec 1960. In 1994, after graduating in literature (Sorbonne) and 15 years of teaching, she moves to the Netherlands, studies sculpture with Karel Gomes, the craft of mould making and bronze casting with Fred Steffens and, in 1999, upon her return from one year trip in the US, she becomes a full time sculptor!Year 2000… First exhibition. Since then, her statues never stop circulating, in The NL and internationally, in Europe and in the US. On a regular basis, numerous Art Merchants and Galleries contribute to the promotion of her Art: Peter Pappot (Amsterdam), E.J. van Wisselingh & Co (Haarlem), J. C Dumas (Paris), Smelik & Stokking (Amsterdam, Den Haag), Ton Schulten (Ootmarsum), and E. King (Napa Valley, California) and more… Her bronzes enter Auction Houses and appear in prestigious Art Fairs such as Pan Amsterdam, Kunst Rai and Den Bosch Art Fair. With encouraging regularity she serves private customers creating garden statues, grave monuments, trophies, awards and commemorative statues.In 2006 for the first time, her art attracts the interest of the Municipality of Haarlem, the City where she lives and works in her Atelier Gallery of the Kleine Houtstraat. For her City she designs and realizes a Kenau for the Emancipatieprijs Award and a Lieven de Key for an Architecture Award, a medal now permanently displayed in the Teylers Museum, as part of their coins and medals collection. In 2010, Haarlem commissions her a monumental bronze representing two heroes of the “80 Years War”, Kenau Hasselaer and Governor Wigbolt. Ripperda. Since April 2013, it majestically stands, 4 meter tall, on the newly renovated railway Station Square, while the 30 cm original design is exhibited in the Historisch Museum Haarlem, with the following title: Kenau & Ripperda, from Motivation to Inspiration, a pro-peace monument. Her inspiration comes from the people and returns to them. She is a Humanist sculptor. "I use the incarnated body to sculpt experiences. Love, desire, self-esteem, courage, audacity, generosity, surprise, affection, inspiration, clarity, interest and the unlimited range of experiences a human being can have. It is as if experiences have to run through the body in order to reach the soul. I observe and sculpt the visible to access the invisible! When I was commissioned The Kenau & Ripperda monumental bronze, I intended to create a pro-peace monument for my City.

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