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Italy
Sculpture, Wood on Wood
Size: 18.1 W x 61.8 H x 15 D in
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This wood with a worn and corroded aspect rises like a monolith or an ancient ritual wood, mindful of archaic traditions where the wooden material was chosen by virtue of its organic nature, of its being a receptacle of the tree's vital energies. The wood is crossed almost completely in its vertical extension by a deep crack, a natural fracture from which the gold leaf that covers the edges seems to spring, highlighting the crack whose dark interior contrasts with the sheen of the gold. This fissure increases the sense of primordial mystery evoked from this majestic wood that stands alone; thus the crack manifests itself as a trace of the past, a furrow carved by history in matter. The fracture thus becomes the central compositional element that captures the eye by dragging it upwards, raising it towards that last piece of wood that alludes pointedly to a dimension of transcendence.
Sculpture:Wood on Wood
Original:One-of-a-kind Artwork
Size:18.1 W x 61.8 H x 15 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Claudio Marziali is an Italian artist living in Bergamo; he senses a strong connection with the wood element, which he has always worked with , also as a specialist restorer. When still an adolescent child, he becomes passionate about art, and turns to analogue photography. His style includes naturalistic and experimental images with a strong intimate quality. Later, he turns to painting and sculpture, which will become his favourite expressive medium. Influenced by the East and by the works of architects such as Nakashima and artists like Kenjirō Azuma – as well as Louise Nevelson – he creates his last collection of wooden sculptures “Recuperi”, in which the strong connection between the artist and the natural world is obvious. Marziali opposes the adulteration and distortion of wood, opting instead for spontaneous manipulations of the shapes, and preferring gold as the best tool to highlight the areas which are most damaged and corroded by time. In accordance with the zen philosophy of kintsugi, where beauty in an object is enhanced by its breaking, and with the way of seeing things, also Japanese, of wabi-sabi – which welcomes and enhances the imperfections of time – Marziali has created works which are defined precisely by the free interpretation of the observer, who an independent ‘user’ who relies, in his readings, purely on his senses and his personal history. Each piece does not tell its story, but reveals the story of the one who is observing. “I believe that we Westerners are inclined by culture to try to dominate and tame nature and to rationally explain things. Thus, we see things as if they were rivers forced into cemented margins. I love to accept nature as it is: I take the beam or log and I wash it, I consolidate it and brush it almost with a kind of reverence, since nature and time have already done their patient work. Then I add only some color and gold to highlight their scars, which are the same as those of Man.” Claudio Marziali.
Artist featured by Saatchi Art in a collection
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