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The circle, perhaps the most recurring figure in my work, adopts, depending on the material or the tool that I use, different appearances, some more expressive and others more contained. This "circulismo", without beginning or end, is consistent with my working method: to reiterate without a clear, hidden purpose, a basic and current action, a mantra perhaps, a very concrete (geometric) image and, at the same time, very ambiguous and with multiple connotations. There is a counterpoint in the interior and exterior of the work, in the smooth and in the textured, where the smooth with a defined shape is contrasted with the textured with an irregular shape, the smooth emerges from the texture transforming itself. The space is tensed by the interaction between the empty and the full of the form. The circle is related to the smooth, and to the concrete image of its shape
The circle, perhaps the most recurring figure in my work, adopts, depending on the material or the tool that I use, different appearances, some more expressive and others more contained. This "circulismo", without beginning or end, is consistent with my working method: to reiterate without a clear, hidden purpose, a basic and current action, a mantra perhaps, a very concrete (geometric) image and, at the same time, very ambiguous and with multiple connotations. There is a counterpoint in the interior and exterior of the work, in the smooth and in the textured, where the smooth with a defined shape is contrasted with the textured with an irregular shape, the smooth emerges from the texture transforming itself. The space is tensed by the interaction between the empty and the full of the form. The circle is related to the smooth, and to the concrete image of its shape
The circle, perhaps the most recurring figure in my work, adopts, depending on the material or the tool that I use, different appearances, some more expressive and others more contained. This "circulismo", without beginning or end, is consistent with my working method: to reiterate without a clear, hidden purpose, a basic and current action, a mantra perhaps, a very concrete (geometric) image and, at the same time, very ambiguous and with multiple connotations. There is a counterpoint in the interior and exterior of the work, in the smooth and in the textured, where the smooth with a defined shape is contrasted with the textured with an irregular shape, the smooth emerges from the texture transforming itself. The space is tensed by the interaction between the empty and the full of the form. The circle is related to the smooth, and to the concrete image of its shape
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Union Sculpture

Macarena Salinas Amaral

Chile

Sculpture, Ceramic on Ceramic

Size: 19.3 W x 19.3 H x 8.3 D in

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$3,170

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About The Artwork

The circle, perhaps the most recurring figure in my work, adopts, depending on the material or the tool that I use, different appearances, some more expressive and others more contained. This "circulismo", without beginning or end, is consistent with my working method: to reiterate without a clear, hidden purpose, a basic and current action, a mantra perhaps, a very concrete (geometric) image and, at the same time, very ambiguous and with multiple connotations. There is a counterpoint in the interior and exterior of the work, in the smooth and in the textured, where the smooth with a defined shape is contrasted with the textured with an irregular shape, the smooth emerges from the texture transforming itself. The space is tensed by the interaction between the empty and the full of the form. The circle is related to the smooth, and to the concrete image of its shape

Details & Dimensions

Multi-paneled Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:19.3 W x 19.3 H x 8.3 D in

Number of Pieces:2

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She studied at School of Art in the Catholic University of Chile a Master degree´s in fine Art painting mention, at the University had professors like José Balmes, Gracia Barrios and Gonzalo Cienfuegos. She participated in the workshop of Eugenio Dittborn. To expand her artistic development she joined ten years at Huara Huara Studio, which has shaped her art using the art in clay and sculpture all along the studio director Ruth Krauskopf, also she work in her own studio. In the sculpture she work with the simplicity of the forms, the texture, she inspires in nature and transmit its magic. She try to achieve the idea of simplicity and beauty that exists in nature. She participated in solo and colectives exhibitions, national and international, she represented Chile in Revelations Biennale 2019 in France. And she participated in the online exhibition in Korea Biennale 2019. She became a member of the International Academy of Ceramics IAC. She particitapted in Context Art Fair 2022

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