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Wounded city Sculpture
Ukraine
Sculpture, Wood on Wood
Size: 39.4 W x 39.4 H x 2 D in
Ships in a Crate
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About The Artwork
The city is the people who live there. It has its own atmosphere, mood, colors. Each city is unique and unique. But the war is coming! And it systematically wipes out peaceful and cheerful cities with its shelling and bombing. The enemy turns them into ruins and ashes in more than one day. And every day a little, adds new "wounds". And over time, if we don't drive the enemies out of the neighborhood, the city dies. Such a fate has already befallen many Ukrainian cities and villages: Avdiyivka, Mariupol, Volnovakha, Bakhmut... unfortunately, this list is much longer. However, we managed to save many cities and villages: Kyiv, Kharkiv, Chernihiv, Mykolaiv, Kherson, Liman... And only by uniting the whole world will we be able to save all our cities and villages and heal their "wounds". size of my composition is 100/100/5 cm. The packaging in which I send my works of art is wooden boxes. The size of the box for this work is 160/160/25 cm. Weight is 55 kg
Details & Dimensions
Sculpture:Wood on Wood
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 2 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Poland.
Customs:Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.
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Ukraine
I am an artist from Ukraine He was born in 1993 in Radekhiv Oblast. I moved to Lviv in 2011 when I entered the National Academy of Sciences. I work in the field of decorative art with artistic wood. I live in Lviv. For the last 8 years, I have been actively engaged in the creation of three-dimensional and relief compositions in wood. I often use bright open colors, but I also like to taste the nuances of halftones. I try to find a balance between color and shape. My approach to creation can be described by the thesis: "Minimum means - maximum expressiveness." Always ready for new experiments and open to cooperation.
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