VIEW IN MY ROOM
United States
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Fine Art Paper
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10 x 10 in ($40)
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White ($80)
This is a stunning 36x36 piece. It would make a bold statement in any room. The title of this piece is after something my late grandmother used to always say. Every time we were going to take a picture, she would say wait! “let me put my lips on”. I did this piece shortly after she passed, kind of as a way for me to heal and to remember her. She was never without her red lips. Piece is wired and ready to hang.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I was born and raised in the beautiful Hill Country of Texas. My mother is a photographer who ran a gallery in Dripping Springs when I was a child, so I was surrounded by artisans and their work. For as long as I can remember I’ve always felt that need to create. When I was 11 years old, I fell and broke my hip; without art and the support of my amazing family, I’m not sure how I would’ve made it through everything all these years. Since that fall, I've had numerous surgeries on both my leg and hip – as a child and as an adult. I graduated from Texas State University in 2003 with a BFA in painting. In the past there has been time spent away from my work as I received and healed from surgeries, but I've held on to my goals and have never given them up, and have since become an award winning artist. Growing up on a ranch near Austin, I was surrounded by both nature and the experiences of the city. Colors and textures were always around me, it was hard not to be inspired; whether it was painting a floral scene or later on being pushed towards abstracts. Until recently I have never allowed the chronic pain I experience from my operations to control my life or work. I’ve always viewed pain as a “mind over matter” thing, and it still very much is, but I now feel like I'm able to free myself from its confines, and let myself go; which has become a good thing for my work. My current body of work explores all of the emotions I experience on a daily basis. Combined with the organic elements of nature, color, and texture inherent to my earlier pieces, I feel that my art has achieved an elevated dimension with these many influences.
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