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Kazakhstan
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Fine Art Paper
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8 x 12 in ($55)
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White ($80)
Digital graphics (Photoshop + Durer AI). 80x120 cm. The painting depicts a transparent woman, standing in the middle of a dark space. The woman's skin is a pale blue, and her internal organs are visible through her body. Behind the woman are two red trees. The trees are symbolic of the woman's inner turmoil. They represent the forces that are pulling her apart, both physically and emotionally. The painting is a powerful and evocative image of the human condition. It could be seen as a metaphor for the fragility of life. The woman's transparent body is a reminder that we are all made of flesh and blood, and that we are all subject to death.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Kazakhstan
Artist, researcher, art critic, feminist. Now living in Almaty, Kazakhstan. Born in 1987 in Arkhangelsk, Russia. Graduated from the Faculty of Philosophy of Novosibirsk State University, Master of Philosophy. In 2020-2024 was a postgraduate student at the Novosibirsk State University of Architecture, Design and Arts in History of Art. From 2010 to 2013 curated the exhibition project in the Festival of Experimental Poetry EXPERIENCES in Novosibirsk. Since 2015, have been a member of the Rech#port poetry community, author and editor of the magazine Rech#port (syg.ma/rechport). In 2018 initiated the creation of the Siberian Archive of Contemporary Art (siberian-archive.ru) and have been researching contemporary art of Siberia. Participant of philosophical seminars on contemporary philosophy (Deleuze, Derrida, Badiou, Delanda, etc.), in 2022 gave a course of lectures "Introduction to the Philosophy of Art" (Novosibirsk State University, Faculty of Humanities, Novosibirsk, Russia). As an artist I create complex installations, art objects, poetic and textual works, art books, video art and performances elaborating such themes as: religious concepts outside the context of the religious canon (miracle, martyrdom), liberation practices, anarchic virtual communities and spaces, criticism of Russian political reality, institutional criticism and research into the boundaries of Russian censorship, the creation of a Kafkaesque non-existent people and a choir of dubious voices, the study of the human body as the boundaries of the individual and public.
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