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United Kingdom
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City of Glass, inspired by 'The New York Trilogy', the novel by Paul Auster. Explorations of 'fact' & 'Fiction', truth, identity & chance. Six years in the making, sixty-two paintings, a series of scale, ambition, intrigue and invention. Quinn's red notebook - oversized. Manhattan is transparent, is a window, is a city of glass.Through the window is a boiling sea or the inside of the detectives head.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
In all my work, I am intrigued by the dialogue and tension between image and the flat, map-like, painter’s space, and the different realities of information and imagination - between what inspires and drives the paintings and the uncertainties and excitement of the painting process. As an artist I crave/need surprise, not sameness: it is what you ‘do’ with the source material that matters, a piece must be its own thing, have its’ own life. Journeys, places, books, music, all generate ideas, providing catalyst and context, and colour always excites, but until it is resolved, a painting is a live thing, full of possibilities. In his forward to ‘Il Mistero de Cattedrell’, Anselm Keifer wrote: ‘If there is too much order, it is dead; if there is too much chaos, it doesn’t cohere. I’m continually negotiating between these two extremes.’ Freedom and control is the contradiction of painting: finding the balance is the essence of my work. Since 2011, I have been working on the ‘City of Glass series, inspired by ‘The New York Trilogy’, a novel by Paul Auster. It is thrilling to be working from another artform, combining images sourced from narrative and text with memories of my own experience of New York. As a painter I can relate to Auster’s striking imagery and complex layerings of identity and truth and his acknowledgement and explorations of chance.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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