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Gertrude Stein's Coffee Print

Steve Munro

Australia

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About The Artwork

Gertrude Stein’s Coffee - In a continuing series of an ongoing relationship with the ordinary and everyday, I have reached out to others for them to share with me the things that form their everyday. These are the things that they might reach for in different times of the day yet do so automatically, without much thought. For example, 'Maldon Sea Salt' goes on pretty much everything I eat which, when given further analysis, acts in some way as my maintained and physical connection to Europe - the salt from the sea is an essential part of my physicality. ‘Gertrude Stein’s Coffee‘ – I’m purposefully not sharing the identities of those that shared their sometimes very personal stories with me. Stein said “Coffee is a lot more than just a drink; it's something happening. Not as in hip, but like an event, a place to be, but not like a location, but like somewhere within yourself. It gives you time, but not actual hours or minutes, but a chance to be, like be yourself, and have a second cup”. The woman that shared her story with me said “as a child, I recall my parents drinking strong black coffee that dad made in a small copper Turkish vessel. A far cry from my mother's upbringing in rural NSW, the family impoverished after her father died aged 50 from septicaemia after having his appendix removed. “My parents did not ever own an espresso machine as such machines for domestic use came much later. Good coffee, however, - never instant! - was a daily ritual. In my days at university my friends and I would occasionally treat ourselves to a cappuccino at Brunetti in Carlton. “Over the years the daily espresso coffee tradition continued, though its manifestation varied according to availability. “Then, one magical day about 15 years ago, I realized one could purchase a domestic espresso maker - and here it is. I have always used the manual function as I rather fancy myself as a barista. “The familial and historical influence has been strong; school holidays with extended family relatives and various trips to Italy including the family island of Salina near Sicily. The daily ritual involved sourcing good coffee beans, grinding them perfectly, loading the group handle to correct level, ensuring the pour is perfect (3 colours in the glass), frothing the milk, and caring for the machine “I would still do this if I lived alone, but it pleases me no end to make a coffee for my husband, and for visitors. During lockdown, the daily coffee ritual has been more important than ever, punctuating our days which have a certain sameness.”

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m a cinematographer with a sub-specialism in underwater camerawork and a specialism in documentary (series and long-form). My first degree was a BSc in Zoology with a second degree, a BA, in critical and literary theory; so my very nature, when translated into art, is research research research. When I come to a painting, I’ve already spent dozens of hours and days in cresting the idea because the idea is the basic form. It’s from the idea that I explore the narrative that the painting will have as a part of the series I’m working on. I do this for a couple of reasons – one being it is my nature to inquire, to quiz, to plan, and to execute that plan (that part is as much from my professional diver training as my science training; with the inquiry and exploration having origins in my arts degree). And the other is because my choice of materials is based on very high quality which usually means they cost more – and I don’t like waste. From my first series on the ordinary and everyday a couple of years back (the 31x31cm square food/drink pieces), out of 23 pieces I produced, only three were discarded. But the frames were re-purposed so didn’t get thrown away. I use a camera instead of a sketchbook these days (I’m most definitely a child of the 21stC despite being born in the 20th) an Who are you and have you always been an artist? I’m trained as a cinematographer with a sub-specialism in underwater camerawork and have won multiple peer-judged cinematography awards. So, while my career has been about creating the image, that image has only recently become painting. Cinematography is always about composition, colour, chroma, and exposure. And that translates into my art practice as I balance the elements of camera work and illustration to produce paintings of my main subject – the quotidian, or, the ordinary and everyday of life. And they are playful. They’re exploring the premise that beauty exists everywhere, in the joy of the everyday, in the bones of the people we love; and it’s about revealing the scars and cracks that exist by being human, to share what isn’t always shown. And to celebrate those signs of existence that reveal a life lived .

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Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Melbourne

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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