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Light at the end of the tunnel Print

Brian Lockett

United Kingdom

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16 x 16 in ($130)

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About The Artwork

This piece is made up of silkscreened layers of textured pigment, creating movement and colour.. aditional layers of brushwork and pen give the composition depth. At times not only is there light at the end of the tunnel, its all around us... Enjoy

Details & Dimensions

Print:Giclee on Canvas

Size:16 W x 16 H x 1.25 D in

Size with Frame:17.75 W x 17.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Pesentation and Biography Brian Lockett Born in Rochdale England in 1958, I left school at the age of sixteen and headed off to Rochdale College of art and design. Although I spent two years in the sculpture department my early influences included LS Lowry of whom I felt I could relate. I crossed the pennines in 1978 bound for Leeds Polytechnic School Of Fine Art, where under the tutelage of George Hainsworth and the influence of Henry Moore, I developed as a sculptor. Graduating with a BA hons in fine art, I became recognised as one of Britain's 1980 young contemporaries, with works on view in several of Britain's major city Art galleries. I crossed the pond and did an MA at Concordia Montreal, after which Travel and Adventure became my life. By the mid 1980’s I set up a studio in Newport Beach California, earning a living silk screen printing and selling pencil drawings. The drawings were accurate representational landscape renderings, some of which found their way into several celebrities private collections. By the 1990’s I was producing prints for surfing design companies. I moved to Colorado producing and printing commercial ski related images. It wasn't until the 2000's, I returned back to Europe, I rediscovered my passion for “real art” after visiting galleries in Rome, Paris, Venice and Girona. I have developed my recent painting technique following the lines of abstract suggestion. I use the figure, object or landscape to inspire rather than represent. Colour and shapes continue to dominate my recent work. I use these to create movement depth, mood and a feeling of rhythm. My influences now include…. Picasso, Monet,Brian utenberg, George Hainsworth ( my mentor) and my “old friend” David Hockney

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