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Magically speculated beings Print

Ardeleanu Roxana Elena

Romania

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16 x 20 in ($240)

16 x 20 in ($240)

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About The Artwork

The painting is a reflection on possible simbiotical forms and is inspired from the idea of magical speculation. It depicts a bigger living organism made of various life forms and creatures that borrow characteristics and parts from each other, while growing together in a harmonious possible magical being. To speculate something magically is to bring into shape a possible idea, to take it from the metaphisical anonimity in which lied before, and give it a certain meaning and form. The painting comes directly mounted with two wood bars and ready to be hanged.

Details & Dimensions

Print:Giclee on Canvas

Size:16 W x 20 H x 1.25 D in

Size with Frame:17.75 W x 21.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work engages with philosophical theories, spirituality, science, literature, ontology of art, centering on the semiotics of art objects, filtered through a self referential lens. Subjects such as dreaming, magical practices, embodiment and synaesthesia are recurrent in my work. I currently live and work between Bucharest and Berlin, constantly travelling and looking for ideas. I finished my MA studies on Fine Arts, Graphics and Spatial Strategies, in Bucharest and Berlin. In my artistic research I am constantly driven by the liminality between forms and content and the way it produces artistic and cultural meaning, across various mediums such as sound, performativity, painting, drawing and writing. My works draw mostly from personal experiences, synaesthesia, recurring dreams and obsessions, with references to cultural theory, onirism, western literature, contemporary discourses, quantum physics, dark ecology and eastern esoterism. The medium with which I engage mostly is painting, which I also asthetically research and look for ways to redefine or reflect on it, by adding a multidisciplinary approach, and exploring it in installations, interventions and performances.

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