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Orb rotating Print

John Alexander Abbott

Greece

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About The Artwork

Tending to interpret geometric shapes as major mystical symbols -accepting the teachings of Plato and Pythagoras, this is an artistic effort of mine to interpret the circle: a dot/orb, somewhere in an unidentified space, could be seen frozen and steady. But a closer look would cause the suspicion that it could well be rotating around its vertical -or horizontal- axis. Nevertheless, we could not easily decide whether it is steady or rotating and it would be more convenient to accept that it is both rotating and steady at the same time. Then, for an unidentified reason the axis moves off-centered and outside the body -if any- of the dot/orb and consequently this continues the rotation around the axis that is now external. The rotation is now doubtless and the shape is a circle. The circle denotes time and also denotes a regularity as it rotates with a specific frequence. At some point, pieces of the dot/orb are cut off and keep moving in a straight line... The birth of lines. The birth of Geometry. Here, however, there is no sign of a consciousness that watches and interprets. The dots/orbs pre-exist and slowly set up a deterministic world. They are no the products of a human consciousness.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a self-taught artist, based in Thessaloniki and active for the last +50 years. Having started with figurative art, I have been through various styles over the years, Impressionism, Surrealism, Byzantine Iconography, Suprematism, Constructivism. Following a steady course towards abstraction. Lately, and after a geometric period, I am experimenting in an even more abstract style that involves liquid acrylic pigment poured over a surface - preferably package paper- and free intermixing of the colours with flow lines formation, often exceeding the painting surface bounds. Mainly inspired by Phenomenology and the ideas of how consciousness functions, my current work can be characterized free and abstract with no use of brushes or other painting tools. The flow of the liquid colours denote the continuous flow of the outer stimuli of the human consciousness, represents the creation of the cerebral time and tries to access pre-consciousness human stages. The images substitute the language and help experience a mystical way to approaching answers to questions dilemmatic, tricky, or bearing no answers at all! My influences include Kazimir Malevich and Lyubov Popova, Byzantine icons, Giorgio Morandi, Kuzma Petrov-Vodkin, the brothers Limbourg, the architects Georgii Krutikov, Mies van der Rohe, Aldo Rossi, Lazar Khidekel, Iakov Chernikov and also, the Japanese culture and its insights like Wabi-Sabi or Suiseki and ceremonial practices like Chanoyu. Finally a big influence is Jazz music, and the atonal music of Iannis Xenakis.

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