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Netherlands
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12 x 8 in ($55)
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Renaissance or Wonder is an oil painting, consisting of five canvasses of various sizes. The whole measures390x550 cm. The work was created during a working period in Leipzig, Dec '15-Januari '16. Originally, the work would be part of the Slumberland Manifesto series, but new influences and surroundings gave the painting a fundamental new twist. Therefore, the work fits well in my oeuvre, both pictorial and content, but in terms of colour and image processing, it actually differs from previous works within the above series. What is Renaissance or Wonder about? The work of art is, in a sense, a spiritual work. The work is a manifestation, in its abstraction and story, about the astonishment (and hope) of the "(re)birth" of a new age. What the new time will be and what it looks like is not entirely clear to me. It comes still, and although it may already be on our radar, even though the whole is still abstract, or formless. If an age has a form in the first place. The work depicts as much as possible that strange sense, but also the image of our current environment in a broad perspective. It is not easy to describe this work subtly in substance. Visually, the work consists of three decors: the decayed theatre (the world in all its beauty, action and wealth), the middle segment (the original stage from which the new world emerges) and the people / actors on the Foreground, representing now. They are standing in front of the new era, but trying to ignore or suppress the new one. They act on their scaffold, and apparently perform their last piece for themselves. The work represented Now, as many spectators told me.
Print:Giclee on Fine Art Paper
Size:12 W x 8 H x 0.1 D in
Size with Frame:17.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Netherlands
The work of Rombout Oomen (Amsterdam, 1975) finds itself on a cutting edge of opposites. The compositions of Oomens paintings seem to be inspired by the period of the Enlighten- ment. But in the performances of its scenes, cool rationalism is the only absentee. The light that shines in his work is flaming and dangerous. The people portrayed entered somewhere in the eighteenth century at Jacques-Louis David’s revolutionary and thrilling environment. Perfumed, well cut and fit, they began celebrating a decent and enlightened ball. In Rombout Oomen’s work, they finish possessed, stuffed and tired without illusions in a bacchanal where they never found the exit. Unhinged in a circus carousel that led them drunk through the night. No reason, love or salvation remains. Only worn out lust and grotesque concepts, which per- haps give moments of thrill and instant happiness – but do not ask for how long. Rombout Oomen likes to paint in series. Such as his Slumberland Manifesto. Often he chooses large formats – wall paintings, factory size cloths in industrial buildings or just one side of a skyscraper – such as his Swan on the A’DAM-tower on the river IJ in Amsterdam. Work who does not hesitate to rather shout out something, though that call is more ambiguous than you think. As the work of Oomen is expressive, but never noisy. If you take the time to study on his euphoric pictures you will discover somewhere in the depth a hushed poignant element. You’re going to suspect that in the darkest corner of his work a Romantic element lays bare. As has been said: the cutting edge of contradictions
Artist featured by Saatchi Art in a collection
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