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Belgium
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8 x 10 in ($40)
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White ($80)
a painting of a man, showing the evolution of the size of the donut hole. as the font gets thinner, the donut gets fatter. in combination with the seriousness and the closeness of the background, this seemed a most important snapshot to relate to. painted on plastic, then glued face down in background paint on a piece of plywood, after which the plastic is removed and a totally flat painting remains. the image is created by a combination of background, acrylic paint and acrylic sharpie. the work can be hung flat against a wall or put on a shelf.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Belgium
THEMES : Crashing dragsters and other horrible motorised accidents, violence. The mortality of the moment. Urban scenes with an uncertain void, the act of not happening. Absurd human interventions in its surroundings, a feeling of faulty scale. Heroes, somehow. Pulled out of the moment’s context by picturing what happens (or what does not happen), by recycling the image and upcycling it to a painting. Downtime. An image of an image, everything exists already. To de-pict and re-order. To write a picture, on top of it and from underneath Painting it gives it an upgraded status as well as a downgraded complexity, that is my struggle. There is no depth in my work, only flatness. The surface and its superficiality. TECHNIQUE : Images are copied on transparencies, that is my canvas. The painted plastic is glued face down in background paint on a piece of plywood and rolled flat, the background paint runs down the sides. After a while the plastic is removed and a totally textureless painting remains. The image itself is created by a combination of background, acrylic paint and acrylic sharpie. Sometimes it bears the remains of photocopy toner. Painting is done in a more or less reverse order, much like painting on glass. Highlights first. MEDIA : Acrylic paint and/or acrylic sharpie and/or copy toner on plywood. Signed and dated on the back. PRESENTATION : Leaning against a wall, standing on a shelf. Hanging flat against a wall. Lying down. No frames are needed.
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