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V.I.P. Attack on island of Sylt 2016 (4) Print

Eckhard Besuden

Germany

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About The Artwork

The first V.I.P. Attack I painted in 2009. There was a great party on Sylt I was invited to – it wasn’t my party of course. At 4 a.m. I walked to the beach. And who was sitting there? The pub owner of the pub where the party started. I was expected to sit down and drink with him. At 6 a.m. he told me his island changed. “In the 1940s there was a lot of nature and only a few people. But in the 1960s there was a V.I.P Attack against Sylt and there where many people and nature withdrew herself”. “Maybe, but youre earning a lot of money with these guys, don’t you”? “Yes” he answered. I painted my first V.I.P Attack. Before spending thousands of dollars for your leisure, think about your influence to the nature. 2016, V.I.P Attack to Sylt 2016, oil on canvas, 78.7 x 51.2 x 4 inch, 200 x 130 x 5cm www.eckhard-besuden.de You can also look at the artists homepage www.eckhard-besuden.de if the painting is still available. If you find the mark “in private property” the painting is still sold SORRY. If you find the mark “in artists property” the painting is still available, you should contact us.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 8 H x 0.1 D in

Size with Frame:17.25 W x 13.25 H x 1.2 D in

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Besuden is painting antideterministic art. For the first time at the beginning of the new century (2005) in London the question is raised, whether deterministic attributes of modern painting (new, authentic, antidecorative, scandalous) must be fundamentally reconsidered. In 2009 the Frankfurter Allgemeine Zeitung published a report about the Transition Gallery in London, and their new appreciation of art under the heading: 'we need more dilettantes'. In this case the scandal is not intended to create a better saleability. Art musnt be no longer new, authentic, anti-decorative to be serious art. The anti-deterministic artist is allowed to paint old, anti-authentic, decorative but in a new dogmatical style. With every peace of art, corresponding with the above mentioned characteristics, the artists turns against the dictate of the ruling dogmatics. He is pursuing art policy by intentionally ignoring the quality requirements of the first art market and thus he regains absolute artistic freedom. www.eckhard-besuden.de

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