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VIEW IN MY ROOM

Voyageurs immobiles II Print

Ciprian-Florin Stancu

France

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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12 x 9 in ($45)

12 x 9 in ($45)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$125
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About The Artwork

This painting is shown here matted in a 31.5 W x 25.6 H inch frame (80x65 cm), but it is sold without the matting and without the frame. You can ask a professional to mat and frame the painting, and choose whichever colors will best fit in the room where you will hang the painting. Ce tableau est présenté ici dans un cadre de 65x80 cm, avec passe-partout blanc et sous-verre, mais il est vendu sans passe-partout et sans encadrement. Vous pouvez faire appel à un encadreur professionnel pour réaliser ce type de présentation, et choisir les couleurs du passe-partout et du cadre en fonction de l’espace où vous accrocherez le tableau.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

EN: I was taught painting, drawing and photography at a very young age, and I owe so much to my teachers, talented Romanian painters, sculptors, photographers whose creativity have left a powerful imprint on contemporary Romanian art. I recall Ilie Marineanu revealing to me the art of seeing: "When you draw an object, observe its proportions, but remember to also take in the space that surrounds it and the lines that highlight it. Follow that relationship and a whole different world will appear in front of you." I keep practicing that way of seeing in and outside the field of art. I strive to grasp the soul of things within the gaps and hollow spaces, everywhere absence shows itself and resonates. This paradoxical approach evolved into an intimate relationship with painting, with the physicality of painting, and eventually into a method I call "the im-mediate imaginary" - imaginary without intermediary. The objects, beings and places that inhabit my paintings take on a special kind of real-ness as they connect to a soon-to-be-manifested world, a world that does not seek confirmation from reality but simply appears and asserts itself within reality. My work is "im-mediate imaginary" art. While I reside within the confines of the real world, my paintings are openings into a different world, crossing over and flowing into the thin fabric delicately stretched onto the frame of reality. FRENCH: On m’a appris à peindre très jeune et je remercie mes professeurs, artistes peintres, sculpteurs et photographes roumains de grand talent dont les œuvres demeurent des trésors de créativité. Je me rappelle Ilie Marineanu me disant: «Quand tu dessines un objet, regarde non seulement l’objet mais aussi l’espace qui l’accueille et la frontière qui le met en valeur. Tu en apprendras ainsi beaucoup sur lui, tu verras le monde autrement.» J’ai beaucoup pratiqué cette façon de regarder, m’entraînant à saisir l'âme des choses dans les interstices, les creux, le manque. J’appelle «l’imaginaire im-médiat» mon approche et ma vision intime de la peinture: un imaginaire sans médiation, sans intermédiaire. Les objets, les lieux, les êtres qui habitent mes peintures ont une réalité bien particulière, un lien direct avec un monde à venir qui se présente tel quel, qui ne cherche pas sa confirmation dans le réel mais manifeste sa présence et s’affirme ainsi dans le réel. Ma peinture est donc une peinture «imaginaire im-médiate».

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