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United Kingdom
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Fine Art Paper
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9 x 12 in ($90)
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White ($80)
Artist Recognition
Artist featured in a collection
The flow and curve of carving inspired by nature - in a country churchyard on the England-Wales border, in sight of the Black Mountain This carving, made by a master craftsman some 200 years ago, is gradually being eaten away and replaced by the natural processes it evokes.Maybe within another lifetime, all trace and memory of the carving will be gone, just as all trace and memory has disappeared of the lives of the people this stone commemorates. Yet life continues before our eyes, in the new patterns that replace the old. Much of my work is a response to the flowing narratives of nature, and to the wealth of languages that nature has developed which tell us its stories. Intentionally, my images slip and slide between the descriptive and the abstract, or what I prefer to think of as the concentrated. I seek to excite in the viewer a sense of attention, provoking thoughts and feelings that encourage a curiosity about what is around them, what they are part of, what lies beyond the visible. This work is printed on white art rag paper but it can also be printed on cotton canvas. For an additional cost of 15pc, this work can be printed directly onto aluminium. This will also increase the cost of shipping.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
ARTIST CURATOR. I work as an artist curator, minus the hyphen. I attempt to balance both roles: seeking the concentration and focus of making images, objects and installations that are directed at the individual viewer; embracing the collaborative and enabling task of shaping exhibitions and events that are created in the company of others. As an artist, I work invariably with a high definition camera, but my intention is to reach beyond the image - towards the making of an effective and affective object, perhaps even an experience. Inevitably, this leads me to explore both materials and the immaterial, scale and the use of space. As well printing on art paper, I print onto aluminium, acetate and fabric, especially linen and cotton. When appropriate, I like to let the prints hang freely, unmounted and unframed, so they can respond reflexively to movements in the air. And I use translucency to animate the prints further, as they alter their appearance in response to changes in the light. Although these frequently large prints are at the centre of my output, recent exhibitions have included video projections, sound installations and handmade books, or booklike objects. Making books as been an interest for a long time, but now it is moving towards the centre of my output, as a complement to the translucent prints As a curator, I seek to create exhibitions that both generate and contribute to conversations, that cross boundaries and widen horizons. In addition to visual artists, my exhibitions often include contributions from performers, using movement, music, words and ideas. At present I am getting great pleasure from working with poets. I think poetry and visual art -both of them elusive and allusive media- can become great companions.
Artist featured by Saatchi Art in a collection
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