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Krýsuvíkurkirkja in Reykjanes peninsula at sunset Print

Luigi Morbidelli

Iceland

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About The Artwork

In Iceland there are many churches. Those in the villages are generally very small and typically either painted white with a red roof or completely black. The church near the Krýsuvík geothermal area, called Krýsuvíkurkirkja, is worth a short detour. It is a very small and old wooden church. It was built in 1857 and used as a parish church until 1929. It has since served as a residence. It stands on a spacious site surrounded by ancient tombs, of which mostly only the slightly raised, grassy mounds of earth can be seen. A beautiful entrance gate leads to the site. Fortunately there are no lights to illuminate it and it is therefore possible to photograph it at dawn or dusk in all its beauty surrounded by mountains.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a landscape and fine-art photographer: I specialize in capturing the natural beauty of the world, to create a relationship between the viewer and the landscape itself. I see landscape photography as a wonderful adventure, both challenging and fascinating. My goal is to help people fall in love with the places I visit, sharing my passion and my vision for photography. I highlight the wilderness that dominates without any restraint from man. I love nature for the sense of freedom and inner peace it gives me. And this provokes in me the need to stop it in a frame and try to instill in people who look at my images a sense of respect and protection for the nature that surrounds us. My art tries to represent the beauty of natural monuments and my main intent is to preserve that image and preserve it for future generations. For me, photography is not only an art, but also a way to express my love for the environment. What I try to communicate with my shots is the emotionality of nature, its deepest essence. The photographer who most influenced my artistic vision is undoubtedly Ansel Adams. His photographs and books, especially on landscape, are always sources of inspiration. He influenced my way of looking at the scene in front of me and pre-visualizing the final image before shooting. He also totally changed the way I print in darkroom, and consequently the way I process digital images, with a longer and more accurate process, but with much better results. Another photographer who inspired my way of seeing the landscape, in this case in color, is Franco Fontana with his landscapes of sharp lines and strong color contrasts and his solitary trees. This led me, for a certain period of time, to go on a spasmodic search for trees, not always loners, on hills with shapes that were sometimes sinuous, sometimes sharply cut, from light pastel color contrasts to more vivid and strong ones.

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