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Le sentier des peintres Print

Jay Rechsteiner

United Kingdom

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12 x 9 in ($40)

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About The Artwork

A picture of an apple and a stone from the village of Proveysieux, France projected onto a wall. Background Le Sentier des Peintres investigates the discrepancy between the established romantic, over-stylized idea and the reality of the lives of artists. Artists and their lives have been romanticized since the Renaissance (Giorgio Vasari) and hence people seem to have developed a distorted idea of what the life of an artist is like. The media, various enterprises and the art world itself exploit this misconception, using it for their financial gain, very often over-stylizing and hence trivializing art. As a seriously working artist I find this offensive and rather precarious as to me art reveals truth as opposed to superficial values such as 'coolness', fashion and mass culture. As an example to demonstrate this misconception & misuse of artists I am projecting the photograph of an apple and a stone I found by the entrance of the Path of the Peinters, le Sentier des Peintres in the lovely village of Proveyzieux, France. This is the village where at the end of the 19th century the French landscape painter and headmaster of the School of Painting in Grenoble Thédore Ravant moved to and set up L’école de peinture de Proveyzieux together with his painter friends Jean Achart, Diodore Rahoult and Henri Blanc Fontaine. In the first decade of the 21st century the Communauté de Communes du Balcon Sud de Chartreuse took action and set up a lovely path that follows Ravant's atelier des champs through a magnificent landscape. They called it Le Sentier des Peintres. website: http://jayrechsteiner.com/le_sentier_des_peintres.htm

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work is very versatile, in general process-based and sits at the intersection of different practices. However, I enjoy painting the most as it not only allows me to express my ideas most directly but it is also a great tool to explore and develop ideas. My painting work investigates pictorial composition and aesthetics with a focus on the notion of the concrete and the abstract, clash, balance, anarchy & the dialogue between opposites. My work is very versatile, in general process-based and sits at the intersection of different practices. An essential aspect of process is the element of change including new directions and abandonment (of work) which gives my work a seemingly peripatetic character. The quality of my work is not so much within the single pieces of work but rather in my overall approach and understanding. One of my principle interests lies in social constructionism, the analysis and documentation of (cultural, social) heritage, i.e. the (social, political, cultural and historical) makeup of people. Whether it manifests itself in the form of a drawing, a collage, a painting, an installation, an action or any other medium, my work is never so much about the discrete unit of work but rather the work as a part of the gesamtkunstwerk, the gesamt-story. My understanding of the gesamtkunstwerk in its truest sense is the entirety of my work as a cohesive body. It is very important to me that my work represents myself, my way of thinking and my opinions. Staying true to myself and having integrity is a very important aspect of my practice. I don't produce art for the masses, nor have I any desire to ride on the band wagon of current trends in the contemporary art world. I am currently working on a painting series titled Delphine & Jay: the Concrete & the Abstract. These are process-based works on canvas & paper. The work explores as the title suggests concrete and abstract ideas/concept focusing on clash, balance, anarchy & the dialogue between opposites.

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