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Bulgaria
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10 x 10 in ($85)
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White ($80)
Through the image of disabled creature I stake once more on the discourse on monstrosity. This is one of the specific ways in which boundaries between human and almost human declare themselves. Monsters serve not only to mark the border line, but also to signal the fragility of these boundaries. They are real monsters in their simultaneous demonstration and destruction of differentiation, by which culture separates the natural from artificial, human from non-human, normal from pathological. Their representative functions serve not only to describe and to communicate, but also to legitimate, reproduce and normalize or vice versa to subvert, refute and destabilize. Such representatives are the culturological actors. They serve as a critique of humaneness. My research work is focused on decoding their language and encoding it in creating new creatures. Orthoman win at the M-tel Awards for Contemporary Bulgarian Art, also the artwork was ranked first by the audience. Print 1 of 12 Signed and numbered. Comes with a certificate of authenticity. Signed and numbered below the image. This print is only available in this limited edition.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Bulgaria
Ass. Prof. PhD Venelin Shurélov - Graduated "Scenography" at the National Art Academy, Bulgaria - PhD (2009). Co-founder and professor at the MA program "Digital Arts" National Academy of Arts; co-founder, part of curatorial team and technical organizer of DA Fest - International Digital Art Festival (2009-). Founder of "Subhuman Theatre" (2004-) and art group "Via Pontica" (2002-2005). Venelin Shurelov is the author of various interactive installations and performances, some of which are "Drawing Machine" (2005), "Fantomat" (2008), "Orthoman" (2009) "Tabula Rasa" (2010), "Shooting Gallery" (2012 ), "Rotor" (2016). In 2011 he realized the cyber lecture "Man Ex Machina", and in 2016 realize a performance installation "Post-Everything", as a guest lecturer at Towson University, USA. His projects are multifaceted and include paintings, interactive installations and performance, digital technologies, video and art theory. He has a number of stage design projects, individual and group exhibitions and participations in numerous festivals in Bulgaria, Europe and the United States. Awarded many times for his work in theater and contemporary art. Lives and works in Sofia.
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