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Port Bow Lines II Print - Limited Edition of 25
United States
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Fine Art Paper
Select a Size
10 x 10 in ($48)
Add a Frame
White ($80)
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About The Artwork
ART DESCRIPTION -------------------------------------------------------------------------- "Port Bow Lines II” The simplicity of detail in the lines is whimsical here in another one from my series of nautical abstracts. The black lines that follow the bow of the sailboat are bold against the white relief, while the finished woodtones vertically challenge the directional sway. The green line dances on the water. The gray undertones in the reflection keeps the overall presentation neutral. PRINT DETAILS ------------------------------------------------------------------------------. This image will be printed using Canson Rag Photographique 100% cotton museum grade Fine Art Paper. It offers a unique extra smooth surface with a sensual feel and provides one the highest acheivable Dmax available, making it ideal for Fine Art images. Other sizes can be ordered by the contacting curators at Saatchi Art. This print will include an 1 1/2" border that will be signed & numbered and comes with a signed & numbered Certificate Of Authenticity. Please note that the estimated production time (delivery time not included) is 10-15 working days as this limited edition artwork is made to order.
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
Brandon LeValley (1954) is a photographic artist from the United States. In 1976 he graduated from Washington State University where his Bachelor’s Degree included Art studies. He’s always had a passion for photography. That desire was fueled early in life when he was still shooting film and utilizing a darkroom to process images. Holding a final print offered a world of experience seeing how the light on a subject materialized. Years later he realized the digital camera had revolutionized processing. Today, he converts most images to black and white and often shoots botanicals for their dramatic lines and shape. He’s also drawn to architecture and landscapes. Living near Joshua Tree National Park provides many dramatic configurations that come from his explorations. While his journey in photography has evolved, it’s often ignited by striking lighting. He’s fascinated by the abstract and uses every tool to achieve a finished composition. A unique image, he believes, comes about by a disciplined and oftentimes exhaustive approach. Knowing the payoff can be rewarding, that commitment to detail ultimately renders a more compelling work.
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