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Australia
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9 x 12 in ($100)
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White ($80)
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Symbolically, this work is based on the conspicuous decline of our Christmas Beetles. In the web of life, beetles are both important as plant pollinators and agents of the nutrient cycle at root level. Their curl grubs and wriggling pupae were once common in most backyards but are increasingly rare to find. For that reason, I omitted the pupal phase to bring attention to an obvious interruption somewhere in their live cycle. Not to speculate on causes, insects are very resilient, and provided we are aware of our surroundings such that we may be able to manage our interactions for the better, a pinned museum specimen may not be the only way future generations see these beautiful creatures. The triangular frame signifies a pivot point, (also the algebraic symbol delta = change). Sculptured 30gsm handmade Kozo paper, Mulberry Tengushu with Hahnemuhle NOT and Arches hot pressed cotton sheet-formed papers, (not papier maché). Coloured ink tint. Box framed in a unique custom-made, isosceles triangle shape from Australian Tasmanian Oak with limed satin varnish. Shatter-proof acrylic glazing ready to hang. - Gallerium Art Prize " EXTINCTION: Save the Planet 2022" exhibition - Selected artwork for National Entomology Insect Expo, Melbourne, Australia - Mention Honorifique - Professional Artists Competition - Mondial Art Academia, France 2020
Print:Giclee on Photo Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Australia
Internationally acclaimed Paper Sculpture Artist from Melbourne, Australia. Ray Besserdin, has established a 35-year career that is recognised internationally with extensive awards to date, including two gold from New York, and a “Gold Medal for Creativity” from Mondial Art Academia, France. Born to artist parents, Ray’s techniques are entirely self-taught. He sculptures artworks dimensionally much like bas-reliefs working with “a palette of sheet-formed papers” that offer a wide spectrum of colours, textures, solidity, and delicate translucency. The stocks are mostly mould-made or handmade cotton, mulberry (Kozo), hemp and flax stocks from Europe and Asia. Works range from miniature to over 6 by 3.8 metres and vary from abstract to ultra-realistic. Inspired by painters of the French Impressionist Period, Ray pioneered and developed a technique to achieve their kind of aesthetic expression using sculptured torn papers three-dimensionally, where they used paint two- dimensionally. This “Impressionist Sculptured Paper” is what he considers his signature style. Its focus is to capture emotion, life, and expression over realism using torn, raw pieces arranged into the likeness of the subject yet always revealing the character and nature of the papers from which the subjects are created. Nature is his favourite subject matter. Works hang in private and corporate collections in London, Monaco, Munich, Manhattan, Tokyo, New Zealand and throughout Australia. Ray is Australian Ambassador for Mondial Art Academia, France.
Artist featured by Saatchi Art in a collection
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