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Reclining Nude – 19-09-21 Drawing

Corné Akkers

Netherlands

Drawing, Pastel on Paper

Size: 14 W x 11.7 H x 0 D in

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About The Artwork

A New Session This reclining nude is completed two days after the last model session I held at my studio. Being the first drawing I completed after July’s session means last month’s drawing has not been completed yet. This one was relatively easy though. It comprises a fairly simple composition with no technical or compositionary challenges. I could focus on soft skin textures and folds in the sheets. First I made a rough estimation of the composition in charcoal. I worked it out with Conté pastel pencils (black and white) later. Relax Baby! After the completion of my colored pencil drawing ‘Leiden – Herengracht – 14-09-21’ I was in the mood for some simple stuff, nothing fancy. So I had her take a comfortable position, reading a book on paradoxes I bought a couple of weeks ago at the Groninger Museum. I like these talks with my model because it both makes us relax and somehow this relaxation speaks through the musculature in her back. I tried to capture that and I think I got away with it. Moreover, the bond between artist and model is important and when the right chemistry is there, magic can happen. Materials Completely coincidental the first thing I pulled out of the bag of drawing paper was a block of Strathmore Toned Gray. In my pencil and pastel case I found an old charcoal holder. Perfect for a session on the bed with me sketching on the bedside. When I come to think of it, the best model sessions are improvised, not fixated on too many poses. It can cramp both model and artist. The iPad Pro next to her stood there without particular reason. I always have some suggestions for poses ready but I did not need them now. Instead, soft soul was playing. One of those fine moments in life. Pastel drawing on Strathmore Toned Gray paper (27.9 x 35,6 x 0.1 cm) Artist: Corné Akkers

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:14 W x 11.7 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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