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Author: William Marquina
Title: Sinuosity N ° 1
Technique: Pigment black and white synthetic enamel on glazed paper
Dimensions: 13 "x 19" x 0.008" (33 cm x 48 cm x 0.02 cm)
Year: 2015
Personal Web Page: http://www.marquinawilliam.wix.com/brillo / 
Facebook Page: https://www.facebook.com/brillosiete

Description: Drawings like this, study the multiple windings that are hidden in the nude. I think that curiosity aroused by the sensuality of the human body, is more due to its sinuous forms little clear or hidden in which is contained the true expression of the human body. I.e., in the drawing of a nude, there are many intricate abstract shapes of curves, bends, inbound ripples, folds, crevices, holes, forms twisted with irregular curves, concavities and convexities, which together make up the Visual forms that we know of a naked body. Picasso was a master at drawing of sinuous shapes to represent nudity in his works. In each drawing of this series, I make a particular study of these sinuous shapes with a completely abstract drawing using black pigment and synthetic white paint on glazed paper. This drawing in particular has no frame and is signed at the back.
I think that curiosity aroused by the sensuality of the human body, is more due to its sinuous forms little clear or hidden in which is contained the true expression of the human body.
Picasso was a master at drawing of sinuous shapes to represent nudity in his works.
Author: William Marquina
Title: Sinuosity N ° 1
Technique: Pigment black and white synthetic enamel on glazed paper
Dimensions: 13 "x 19" x 0.008" (33 cm x 48 cm x 0.02 cm)
Year: 2015
Personal Web Page: http://www.marquinawilliam.wix.com/brillo / 
Facebook Page: https://www.facebook.com/brillosiete

Description: Drawings like this, study the multiple windings that are hidden in the nude. I think that curiosity aroused by the sensuality of the human body, is more due to its sinuous forms little clear or hidden in which is contained the true expression of the human body. I.e., in the drawing of a nude, there are many intricate abstract shapes of curves, bends, inbound ripples, folds, crevices, holes, forms twisted with irregular curves, concavities and convexities, which together make up the Visual forms that we know of a naked body. Picasso was a master at drawing of sinuous shapes to represent nudity in his works. In each drawing of this series, I make a particular study of these sinuous shapes with a completely abstract drawing using black pigment and synthetic white paint on glazed paper. This drawing in particular has no frame and is signed at the back.
In each drawing of this series, I make a particular study of these sinuous shapes with a completely abstract drawing using black pigment and synthetic enamel white paint on glazed paper.
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Sinuosity N° 1 Drawing

William Rafael Marquina Buitrago

Ecuador

Drawing, Ink on Paper

Size: 19 W x 13 H x 1 D in

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About The Artwork

Author: William Marquina Title: Sinuosity N ° 1 Technique: Pigment black and white synthetic enamel on glazed paper Dimensions: 13 "x 19" x 0.008" (33 cm x 48 cm x 0.02 cm) Year: 2015 Personal Web Page: http://www.marquinawilliam.wix.com/brillo / Facebook Page: https://www.facebook.com/brillosiete Description: Drawings like this, study the multiple windings that are hidden in the nude. I think that curiosity aroused by the sensuality of the human body, is more due to its sinuous forms little clear or hidden in which is contained the true expression of the human body. I.e., in the drawing of a nude, there are many intricate abstract shapes of curves, bends, inbound ripples, folds, crevices, holes, forms twisted with irregular curves, concavities and convexities, which together make up the Visual forms that we know of a naked body. Picasso was a master at drawing of sinuous shapes to represent nudity in his works. In each drawing of this series, I make a particular study of these sinuous shapes with a completely abstract drawing using black pigment and synthetic white paint on glazed paper. This drawing in particular has no frame and is signed at the back.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:19 W x 13 H x 1 D in

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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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