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Protea 4 Artwork
United Kingdom
Mixed Media, Digital on Canvas
Size: 39.4 W x 59.1 H x 1.2 D in
About The Artwork
Protea is a genus of flowering plants, commonly known as sugarbushes or proteas, that is native to South Africa and belongs to the family Proteaceae. These plants are known for their unique and stunning flower heads, which consist of a central mass of flowers surrounded by colorful bracts (modified leaves). Proteas are highly valued for their ornamental beauty and are often used in floral arrangements, both fresh and dried. They are also the national flower of South Africa and are sometimes referred to as South Africa's floral emblem. King Protea (Protea cynaroides) is the most well-known and iconic species within the Protea genus. It is native to the southwestern and southern regions of South Africa. The name "King Protea" is derived from the plant's large and impressive flower head, which can reach up to 30 centimeters (12 inches) in diameter. The flower head consists of a globe-shaped cluster of tiny, densely packed flowers surrounded by large, colorful, and leathery bracts. The King Protea is often considered a symbol of strength and beauty and is used in various contexts in South Africa, including as a symbol of national identity and pride.
Details & Dimensions
Mixed Media:Digital on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 59.1 H x 1.2 D in
Frame:Not Framed
Ready to Hang:No
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United Kingdom
Caddelle was born in Johannesburg, South Africa (b)1967. In the present digital era - technology brings a new contemplative and observable perspective to the advance of computing in many areas of traditional art. The shift between physical space and virtual space is evolving in rapid successions of discovery and innovation. Caddelle is a Multi-disciplinary and extended reality artist who explores this consequential divide with an innate link to the mediums of the ‘traditional arts and the multi-faceted digital experience; for him, the immersive is not a solitary experience but rather one of sharing the discovery that contemporary art-making can deliver. In the continued momentum of investigating and developing his art, he is merging collective links between ‘real space’ and the digital environments exploring the multiple possibilities incorporating Virtual reality, augmented reality, holographic and optical projections to create a mixed reality digital art experience. With this in mind, he invites the viewer to interact and participate in both the tactile and digital evolution of art.
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