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Island Painting

Olesia Tkachenko

Ukraine

Painting, wool on Soft (Yarn, Cotton, Fabric)

Size: 47.2 W x 66.9 H x 0.8 D in

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$4,700

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About The Artwork

"I like to experiment with textiles, with their textures and textures. Pure expression, but it has its own harmony" In my work, I look for ways to reproduce the feeling of natural textures. Using woolen threads to create an image, nevertheless, I try to reproduce quite real emotional feelings from the contemplation of objects of the natural environment surrounding us. Abstract, at first glance, spots of light green and blue-blue on a pearl-beige background turn into elements of the sensual world, in which you can recognize bright fresh spring green leaves and a stream of water, the surface of which plays in the warm sunlight. The island is a place of beauty and peace. The sun is a symbol of hope and renewal, and sea waves represent peace and tranquility. The emerald green of the landscape brings a sense of serenity and balance. The colors of "Island" are bright and attractive, and they evoke a feeling of warmth and joy. The work is made of textile fibers - wool, viscose, silk.

Details & Dimensions

Painting:wool on Soft (Yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:47.2 W x 66.9 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Playing with textures and visual effects, where textiles turn into brush strokes, has become my calling card. I like to call my works "three-dimensional" because my works combine painting, sculpture and craft. In my work I am looking for ways to recreate the feeling of natural textures. I try to recreate emotional feelings from contemplation of objects around us by using wool threads. My works are abstract, at first glance, but if you take a proper look you will discover many elements of real world. There are bright fresh spring green leaves, streams of icy water and warm sunlight. In my works I try to convey the textures of objects in the light and air environment, but at the same time I do not depict them, I do not focus on their materiality. Instead, I use non-pictorial materials for this sensory impression. I emphasize the idea that the world is essentially dualistic, everything in it is connected by invisible ties, everything is connected with everything. The world of abstract forms and theories is the embodiment of the physical world, and vice versa.

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