VIEW IN MY ROOM
Chile
Painting, Oil on Canvas
Size: 1.2 W x 11.4 H x 11.4 D in
Ships in a Tube
Painting inspired in a chilean legend, "The Talca's widow" Legend says that in the city of Talca leaves the spirit of a widow who could never overcome the death of the love of his life becoming mad with grief and rage, deciding revenge on all men until after her death. Ever since the lonely riders try to avoid running into the spirit at night. Sometimes she wants to remember what been loved feels again, romancing a lone pedestrian. The next day the man would be stunned and his face, hands and clothes would be scratched... yet these men are lucky to be alive unlike the unfortunates who find her when she is again fulfilling her revenge.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:1.2 W x 11.4 H x 11.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Chile.
Customs:Shipments from Chile may experience delays due to country's regulations for exporting valuable artworks.
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Painter and goldsmith born in Chile, graduated from Fine Arts. I have always felt attracted by images and the idea that everything can be created from their compilation. From this impression and from the recycling of images, I started painting different scenes, fictional scenarios, colourful and provocative, with the intention to trigger spectators to build a personal and creative process under their own experience in relationship to my work. According to this, my proposal follows an appropriationist line, in which the creation process is conceived from a rich mixture of languages. Once images are decontextualized, a digital procedure is applied in order to assemble them in a pictorial collage. The appropriationism and the extraction of the authorship give life to new and original images, implying an outcome that goes from the reflection of the art to a visual pleasure. This, of course, modifies the sense given by the original authors. The intention behind this is to transmit a new kind of plastic and conceptual experience, obtained from the world of publicity, history of art, and literature. The result obtained from the visual discourse is articulated from a variety of little fragments that come from the intervened mass-media, mostly with a digital nature, delivering as a final outcome the resemantization of the artistic work.
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