VIEW IN MY ROOM
United States
Painting, Paint on Ceramic
Size: 18 W x 24 H x 0.3 D in
Ships in a Box
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Artist featured in a collection
The original is not for sale through Saatchi. Please find my artist website (or order a print here) instead Logic is a mixed media painting, incorporating surplus scientific and military lenses glass flats and mosaic tiles. Extruded media functions as 3-d relief and also adds support and integrates the glass and tile elements. Use of a wood painting panel provides a rigid stable support for several layers of lenses. The overall appearance resembles a logical diagram, like Beysian statistics gone mad perhaps or an alien circuit. In the original, the lenses are spaced above the base layer of the painting using glass flats. This allows the optical effects to really contribute to the overall look and experience of the piece. The lenses allow the painting to subtle change when viewed from different angles.
Original Created:2013
Subjects:Science/Technology
Painting:Paint on Ceramic
Original:One-of-a-kind Artwork
Size:18 W x 24 H x 0.3 D in
Frame:Black
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I am offering a selection of Abstracts and abstracted Science theme work on Saatchi. Please search for me online for my Landscape and Tree of Life bodies of work. I often ask myself whether I'm a physical scientist who also paints, or a painter who has studied a bit too much physics and chemistry. Physics and Chemistry have become a big part of how I model and understand the world. I approach paint texture in terms of it's viscoelastic properties, and color in terms of pigments and their spectra. If you take a cadmium inorganic red and it's organic substitute, gently tweak them so they look almost identical in indirect daylight, will they behave differently in incandescent light? Sunlight? Late afternoon light? (controlled lab light?) Unlike people, fruit, landscapes and other traditional painting subjects, technical ideas and objects don't have an "appearance" in any normal sense of imagery. They're imagined and depicted as visual ideas that guide us through complex phenomena. For example what do like bonds in molecules really look like? Or the quantum not-quite-existence of high vacuum-spawned subatomic particles? The softly dancing dynamic structures in complex fluids? What about "things" that are too small and too delicate for even the best electron microscopes (TEM - SEMs are toys)? I've found that many images scientists create serve as visual similes to data and hypotheses, and as visual metaphors for complex and often highly abstract concepts. These metaphors and their stylized interpretation inspire and guide my "abstract" work.
Artist featured by Saatchi Art in a collection
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