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Lunch Hour. Telok Ayer. Painting

soma pradhan

Singapore

Painting, Watercolor on Paper

Size: 14.5 W x 21.5 H x 0.1 D in

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$2,315USD

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About The Artwork

The intersection of Telok Ayer and Boon Tat is loaded with history. Here, boats unloaded goods and workers and took on water brought down from a well at Ang Siang Hill, Chinatown. I wanted to place visitors at this place to let them find the history for themselves while looking for lunch. Sometimes, one discovers one's own past in doing so. It is also a journey for the curious. Watercolour depicts the transition through a day and through the rituals of that day-from walking to eating. In everyday life, you find the past coming back right at you.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:14.5 W x 21.5 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

A naturalised Singaporean, Soma Pradhan comes from a family of agitators and legislators with roots in coastal Bengal. She took a Masters in Botany and initial classes in painting beside the Ganges in places trodden by the likes of Mark Twain and George Mallory. After a decade of work in Delhi in textiles and fashion with a post graduation from NIFT, she moved to Singapore. There, she learnt object design, watercolours and Chinese ink painting at NAFA, bastion of the late, great Georgette Chen. Soma works across paper, silk and silver. Her paintings are available online at the Saatchiart.com and Theartling.com. She has exhibited at NAFA. She has been published in The Rappahannock Review, Anatolios Magazine, 3Elements Review, Paranthesis Journal and the Lumiere Review. Soma is inspired by the works of Tolouse-Lautrec, Wassily Kandinsky, Georgia O Keefe and other influences such as New Wave cinema, DC Comics and Japanese film. She seeks to constantly challenge and redraw the boundaries of the possible. Soma believes that the innovation in art which began with Impressionism at the peak of the Industrial Age, must continue in the digital, instant social age to keep it relevant. She believes this is possible through bold experimentation in material, interpretation of movement and the use of light.

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