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Manifest Destiny Painting
Painting, Acrylic on Canvas
Size: 60 W x 36 H x 1.5 D in
Ships in a Crate
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About The Artwork
Manifest destiny was a cultural belief in the 19th-century United States that American settlers were destined to expand across North America. There were three basic tenets to the concept: * The special virtues of the American people and their institutions * The mission of the United States to redeem and remake the West in the image of the agrarian East * An irresistible destiny to accomplish this essential duty Historians have emphasized that "manifest destiny" was always contested; many endorsed the idea, but the large majority of Whigs and many prominent Americans (such as Abraham Lincoln and Ulysses S. Grant) rejected the concept. Historian Daniel Walker Howe writes, "American imperialism did not represent an American consensus; it provoked bitter dissent within the national polity while the Whigs saw America's moral mission as one of democratic example rather than conquest. The term was used by the then-Democrats in the 1840s to justify the Mexican–American War, and it was also used to negotiate the Oregon boundary dispute. Historian Frederick Merk says manifest destiny always limped along because of its internal limitations and the issue of slavery, and never became a national priority of the United States. By 1843, former U.S. President John Quincy Adams, originally a major supporter of the concept underlying manifest destiny, had changed his mind and repudiated expansionism because it meant the expansion of slavery in Texas. Newspaper editor John O'Sullivan is generally credited with coining the term manifest destiny in 1845 to describe the essence of this mindset; other historians believe the unsigned editorial titled "Annexation" in which it first appeared was written by journalist and annexation advocate Jane Cazneau. Source: Wikipedia
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:60 W x 36 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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