VIEW IN MY ROOM
Colombia
Painting, Oil on Canvas
Size: 23.6 W x 23.6 H x 2 D in
Ships in a Box
In Oil and pastel, here's Marilyn.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 23.6 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Colombia.
Customs:Shipments from Colombia may experience delays due to country's regulations for exporting valuable artworks.
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Colombia
Carole Soulas is a french, self-taught painter. She lived in Montpellier, France, then in London, England and now lives in Medellin, Colombia. After 10 years painting in Montpellier, South of France, she studied interior & graphic designs at Montpellier university. She exhibited in several venues before moving to London in 2008. There, she exhibited many times in East London, as well as in St Paul's Church, Soho. She recently settled in Medellin. The serie presented is about women, and every painting is an experimentation on letting the model's energy flow. No brush used, painting knives only. The canvas, built up through the study of light and colour, is the receptacle for energies. That's why lightning angles must serve the art, not the accuracy of reality. The final/wanted result cannot be previously devised, rather it's a certitude about the feeling perceived through the painting. An idea of character that each viewer will understand through the filter of her/his own story, generating empathy towards the model depicted. The existence of the object-canvas is essential: passing by a painting, you will see different reflections appear, blocking some parts of the image, thus reavealing others. That's why all creative steps are apparent, creating a transparency where, onto a blurry background, focus is made on the model's most impacting features. The balance of colours, shapes and lines is studied as much as the texture: oil paint's thickness and shine opposed to pastel or watercolour's matt and light rendering. This mix of colour contrasts and textures hopefully creates a vibrating object, a depiction of an invisible flux.
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