VIEW IN MY ROOM
Latvia
Painting, Watercolor on Paper
Size: 7.9 W x 7.9 H x 0.4 D in
Ships in a Crate
For a few fleeting years we are privileged to be the most loved, most important persons in the universe for our children. Please, take care to notice how precious that time is! I started to paint my miniature series « Love Grows Bigger » to celebrate growing up of my child and her adventures in world discovery. My first miniatures on paper dates back to 2013. I discovered that looking at the universe with the eyes of a child has changed the way I see the world myself. It returns the magic of the very first time. Sometimes these paintings serve as a way to ask forgiveness when I haven't been patient enough with my child. Watercolor painting are a silent way to say : Mum loves you no matter what. When my daughter was born and learned to walk I noticed what a true miracle for a human being is the sight of the first flower, the first beetle, the first falling leave in the first autumn. The magic of the very first time came over me and I revived my long-forgotten passion for miniature art. A long time ago I was in love with Persian miniatures from 15th century, so incredibly small, so detailed, with beautiful, delicate colors. I use watercolor, acrylic, crayons and pastels on paper to recreate her miraculous world in a surreal manner. Sometimes I add a crocheted silk lace, it serves as a frame and at the same time underlines the patience and delicacy of the painting itself.
Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:7.9 W x 7.9 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Latvia.
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My love for printed words is so strong that I make paintings and sculptures from orphaned books. I add different sorts of paper, textile fiber and found objects and treat this mixture as if it was a marble mine. I regard all human-made commodities as the raw material of the 21st century, they add opulence, playfulness and weirdness to my objects. My sculptures are hybrids - installations, huge marionettes and idol figures. I overcome gravity using a technique from marionette theater. Sculptures float in air and strings make them alive. I paint because I'm volatile. I catch all my demons and fears with a brush, so they are not threatening anymore. I'm hesitant, that's why I paint portraits in real time. Models don't have to speak. Sometimes I lay paintings in a horizontal plane, like huge rolls of parchment. The public can touch it, walk and crawl on it, contemplating the importance of daily grounding. I'm a mystic. I borrow deities and create semisacred, eerie spaces where sculptures, paintings, words and animation merge in a numinous, baroque amalgam. I love the tactile. My objects are sensuous to touch. I love word constellations, so there are collections of short stories to accompany the visual work. In a courageous mood, I transform stories into puppet performances and collaborate with theaters and musicians.
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