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Past Noon Painting

Dylan Bell

United Kingdom

Painting, Acrylic on Paper

Size: 16.5 W x 23.2 H x 0 D in

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$205

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About The Artwork

Multi-coloured limited edition stencil art work of a cowboy in the afternoon sun using a range of spray-paints. Sun up to sun down, he surveys the scene, watching the good, the bad, and the less than perfect stroll past.. Cowboys are a growing symbol of defiance, representing freedom and standing up for natural rights. The Past Noon cowboy paintings come signed and titled, in a limited edition. They've been created with a mixture of matt, metallic and satin paints on heavy 300gsm bright white paper. These pieces of art are sure to be great talking point in any space. All pieces are completed A2 (approx. 59cm x 42cm) on 300gsm bright white card, using fade resistant paints. They are all individually hand stencilled, embossed and come backed on cardboard and sealed in a cellophane slip. International deliveries will be sent sandwiched between tissue paper and rolled in a thick, large diameter tube.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:16.5 W x 23.2 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Dylan grew up and studied in New Zealand, where he created large ‘paste-up’ pieces and developed a love for the graphic qualities of photocopy, and screen-printing. He moved to Scotland and taught in the Lothians before leaning back towards developing his own practice. More recently his small batch, hand-produced pieces have gained a pop vibrancy, both in colour and imagery. Current works predominately use a variety of over-printing techniques with stencil blocked spray-paint as a base. Spraypaint is his number one medium, offering endless possibilities for creative layering, especially in conjunction with silkscreens. His collectable numbered editions (on paper), the stencilled and paste-up street art, and re-worked vintage one-offs that he produces cover a wide range of subject matter and themes. He uses images of well-known locations, architecture, nature, pop-culture, typography, street art, and vintage magazines/comics to make graphically hand cut pieces for his collectors, and the public. His works are easily recognised by the colour key in the margin, which show the individual colours used and number of layers that have been built up. “My mind breaks everything into a series of block-layered colours. I enjoy focusing on the graphic geometries of images, their registry points, and look at all compositions as a series of colour strata. Collating, and playing around with; old postcards, vintage art, comics, and pop culture imagery, gives me a starting point for compositions, a place to drop my craft-knife into, old-school analogue hand-cut stencils”.

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