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This painting has an earthy feel to it. The brownish background with the black red and gold make it very interesting to me and there is just enough white and negative space to frame the composition.

To me I can see a Rhino in this painting, hence the name.

The painting is on a 100 cm x 75 cm stretched canvas and the edges are painted and it has been gloss varnished to enhance the color and to protect the paint.

On the back is a signed and dated Certificate of Authenticity. It is wired ready to hang and there are felt cushions on the back to protect your walls.
This painting has an earthy feel to it. The brownish background with the black red and gold make it very interesting to me and there is just enough white and negative space to frame the composition.

To me I can see a Rhino in this painting, hence the name.

The painting is on a 100 cm x 75 cm stretched canvas and the edges are painted and it has been gloss varnished to enhance the color and to protect the paint.

On the back is a signed and dated Certificate of Authenticity. It is wired ready to hang and there are felt cushions on the back to protect your walls.
This painting has an earthy feel to it. The brownish background with the black red and gold make it very interesting to me and there is just enough white and negative space to frame the composition.

To me I can see a Rhino in this painting, hence the name.

The painting is on a 100 cm x 75 cm stretched canvas and the edges are painted and it has been gloss varnished to enhance the color and to protect the paint.

On the back is a signed and dated Certificate of Authenticity. It is wired ready to hang and there are felt cushions on the back to protect your walls.
This painting has an earthy feel to it. The brownish background with the black red and gold make it very interesting to me and there is just enough white and negative space to frame the composition.

To me I can see a Rhino in this painting, hence the name.

The painting is on a 100 cm x 75 cm stretched canvas and the edges are painted and it has been gloss varnished to enhance the color and to protect the paint.

On the back is a signed and dated Certificate of Authenticity. It is wired ready to hang and there are felt cushions on the back to protect your walls.
This painting has an earthy feel to it. The brownish background with the black red and gold make it very interesting to me and there is just enough white and negative space to frame the composition.

To me I can see a Rhino in this painting, hence the name.

The painting is on a 100 cm x 75 cm stretched canvas and the edges are painted and it has been gloss varnished to enhance the color and to protect the paint.

On the back is a signed and dated Certificate of Authenticity. It is wired ready to hang and there are felt cushions on the back to protect your walls.
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Rhino Painting

Patrick Smith

Australia

Painting, Acrylic on Canvas

Size: 39.4 W x 29.5 H x 1.6 D in

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About The Artwork

This painting has an earthy feel to it. The brownish background with the black red and gold make it very interesting to me and there is just enough white and negative space to frame the composition. To me I can see a Rhino in this painting, hence the name. The painting is on a 100 cm x 75 cm stretched canvas and the edges are painted and it has been gloss varnished to enhance the color and to protect the paint. On the back is a signed and dated Certificate of Authenticity. It is wired ready to hang and there are felt cushions on the back to protect your walls.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 29.5 H x 1.6 D in

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Patrick has lived on the Central Coast of New South Wales, Australia for over 60 years. His work reflects parts of his life with a bold and vibrant colour palette. His introductory works were mainly contemporary in nature, consisting of lively acrylics on a wildly textured plaster bases. The assortment of bases gives Patrick’s work depth, while the bulk and shadow lines bolster the pieces character. As Patrick’s work is evolutionary his latest style remains contemporary abstract. He uses various mediums and acrylics in fluid states to produce a mixture of abstract colours and shapes. Most of Patrick’s inspiration comes from the everyday world around him. He enjoys the challenge of mastering different techniques. Patrick has had many exhibitions, either solo or combined with other artists. He has won acclaim and awards for his abstract imagination. His work is displayed in galleries on the Central Coast and in private collections. .

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