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Shaman's Friend/SOLD Painting

Deborah Gavel

United States

Painting, Oil on Aluminium

Size: 30 W x 30 H x 2 D in

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SOLD
Originally listed for $6,510
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About The Artwork

This painting is part of a new series I began in January of 2015 of birds. Some are rescued, some live in captivity and others have come to my attention through friend's photographs and personal encounters. The series is called "Something opens our wings" inspired by words from a Rumi poem. The paintings are an exploration of the ecological and the metaphorical ways that we are in conversation with the winged ones. The image of these three hummingbirds is intended to be one female in flight. I envision her breaking through from the "place" of non-ordinary reality, a dreamscape outside of linear time: the poetic place where all creative expression emerges from. In shamanic terms, the understanding that everything is alive and connected, hummingbirds are considered especially extraordinary because they have the rare ability to fly backwards as well as forwards, up and down. They inspire me to think anything is possible. This painting is made of thin layers of oil and metallic leaf applied to canvas mounted on a hand-built panel. Each layer is supported by the underlying foundation. Light changes the image, infinitely, it is never the same from dawn to dusk, difficult to capture like the hummingbird in flight.

Details & Dimensions

Painting:Oil on Aluminium

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 2 D in

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June 2021 My method is to layer wet over dry. I like to paint slowly and mindfully, as a meditative practice. My process is to spend time in the action of observation in nature and then in the ritual of making. I have worked on a series of medium and large pieces over a period of ten years. The series is Plant, Animal, Mineral. The process of layering oil, wax, metallic leaf is analogous to the passage of seasons in nature and a piece doesn't feel quite complete unless I have been with it over a period of time, sometimes years. Developments may happen, discoveries may surface over time and with a patient hand that would not happen otherwise. In these current paintings I am using silver leaf and gold leaf. In the process of creating, I am cultivating patina on the silver. The edges sometimes "paint" themselves into a pattern of tarnish that is naturally beautiful. In several silver leaf pieces, I am allowing the patina time to darken. In some areas of the new small mineral works, I cover the patina with varnish when it reaches an optimal expression. There is not one final image to these metallic paintings, because the light dancing across the surface is always changing. They are reflective, the surface of the painting is connected to all that surrounds it. This is one of the most magical aspects of working with gold, silver, brass and other composite metals. Transmutation, like the alchemical paradox is part of the experience of creating, it is a search for an elixir, a visual elixer. May 2020 ARTIST STATEMENT Ornithology: in honor of the feathered ones who inhabit the places along the corridors of migration in New Mexico where I reside. The image of the wings of a Sandhill crane was painted from actual wings, found in a migratory sanctuary lying in a field like the wings of an angel. They were attached to a clean breast bone, but no other signs of the bird were in plain sight. I came upon them walking through a field just at the end of winter’s sleep, in February, after the Sandhill cranes flew north for their spring mating rituals. Emptied of the magnificent flocks of snow geese and cranes, I was walking through the fields somewhat forelorn that the cranes had gone, when I came upon the wings of a Sandhill crane.

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