VIEW IN MY ROOM
Latvia
Painting, Watercolor on Paper
Size: 31.5 W x 16.9 H x 0 D in
Ships in a Box
Three simple, dancing cherubs are as plump, pink and frivol as only painted creatures can be. Although the notion of angels may seem atavistic in the modern world, me and my cherubs are living in the year of war, our bordering country is an unprecedented war aggressor. Since there is enough suffering on the planet already if we can conceive any idea of irrational, divine, otherworldly appeasement then it is our right to use it, as artists and spectators. It is painted on 300 g/m² Arches watercolor paper and not framed. .
Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:31.5 W x 16.9 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Latvia.
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My love for printed words is so strong that I make paintings and sculptures from orphaned books. I add different sorts of paper, textile fiber and found objects and treat this mixture as if it was a marble mine. I regard all human-made commodities as the raw material of the 21st century, they add opulence, playfulness and weirdness to my objects. My sculptures are hybrids - installations, huge marionettes and idol figures. I overcome gravity using a technique from marionette theater. Sculptures float in air and strings make them alive. I paint because I'm volatile. I catch all my demons and fears with a brush, so they are not threatening anymore. I'm hesitant, that's why I paint portraits in real time. Models don't have to speak. Sometimes I lay paintings in a horizontal plane, like huge rolls of parchment. The public can touch it, walk and crawl on it, contemplating the importance of daily grounding. I'm a mystic. I borrow deities and create semisacred, eerie spaces where sculptures, paintings, words and animation merge in a numinous, baroque amalgam. I love the tactile. My objects are sensuous to touch. I love word constellations, so there are collections of short stories to accompany the visual work. In a courageous mood, I transform stories into puppet performances and collaborate with theaters and musicians.
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